Aesthetic as Science of Expression and General LinguisticMacmillan, 1929 - 503 pagine |
Dall'interno del libro
Risultati 1-3 di 82
Pagina 102
... tion from arising . How ? by simply making the destina- tion of the object which serves a practical end enter as material into his æsthetic intuition and externalization . He will not need to add anything to the object , in order to ...
... tion from arising . How ? by simply making the destina- tion of the object which serves a practical end enter as material into his æsthetic intuition and externalization . He will not need to add anything to the object , in order to ...
Pagina 291
... tion of art by Plato : this condemnation , says Schelling , was directed against the art of his time , the natural and realistic art of antiquity in general , with its character of finitude : Plato could not have uttered such a condemna- ...
... tion of art by Plato : this condemnation , says Schelling , was directed against the art of his time , the natural and realistic art of antiquity in general , with its character of finitude : Plato could not have uttered such a condemna- ...
Pagina 317
... tion ; it belongs equally to those activities developing essentially within themselves and not completing them- selves in any external world . Art , therefore , is an immanent activity in which we presuppose differentia- tion ...
... tion ; it belongs equally to those activities developing essentially within themselves and not completing them- selves in any external world . Art , therefore , is an immanent activity in which we presuppose differentia- tion ...
Altre edizioni - Visualizza tutto
Esthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1909 |
Parole e frasi comuni
abstract æsthetic activity æsthetic fact æstheticians amongst appearance Aristotle artistic Asth Ästhetik Baumgarten called century character cognitive colours comic concept concrete connexion consciousness criticism Critique of Judgment Danzel distinction doctrine elements existence expression external faculty feeling figurative arts Francesco de Sanctis genius Giambattista Vico Hegel Herbart Herbartian Herder human idea ideal imagination imitation individual intellectual intuition intuitive knowledge Italian Italy judgement Kant language lectures Leibniz Leipzig Linguistic literary logical matter means metaphysical moral Naples natural beauty object perfection philo philosophy physical Plato pleasing pleasure poet poetic poetry principle produced psychological pure reality reason reflexion representation Rhetoric Saggi Sanctis Schelling Schiller Schleiermacher Schopenhauer scientific Scienza nuova sec sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought tion treatises true truth ugly unity universal Vico Vischer Vorles Winckelmann words writers Zimmermann