Civil conversationKeir Elam, Fernando Cioni CLUEB, 2003 - 263 pagine |
Dall'interno del libro
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Pagina 207
... sonnet 23 : 4 As an vnperfect actor on the stage , Who with his fear is put besides his part , Or some fierce thing , repleat with too much rage , Whose strengths abondance weakens his owne heart ; So I for feare of trust , forget to ...
... sonnet 23 : 4 As an vnperfect actor on the stage , Who with his fear is put besides his part , Or some fierce thing , repleat with too much rage , Whose strengths abondance weakens his owne heart ; So I for feare of trust , forget to ...
Pagina 209
... sonnet 23 , by constructing a complex discourse ( which is also a work of art ) on the paradoxical claim that he is unable to express himself , the speaker ultimately shows that love's fine wit is his own prerogative . Therefore , the ...
... sonnet 23 , by constructing a complex discourse ( which is also a work of art ) on the paradoxical claim that he is unable to express himself , the speaker ultimately shows that love's fine wit is his own prerogative . Therefore , the ...
Pagina 232
Keir Elam, Fernando Cioni. As " unperfect actors on the stage " ( Sonnet 23 ) , Shakespeare's characters in the Sonnets play out what for Hamlet - his quintessen- tial stage - director - is the purpose of playing ( and , here , of poetry ) ...
Keir Elam, Fernando Cioni. As " unperfect actors on the stage " ( Sonnet 23 ) , Shakespeare's characters in the Sonnets play out what for Hamlet - his quintessen- tial stage - director - is the purpose of playing ( and , here , of poetry ) ...
Sommario
Valentina Poggi Prefazione | 9 |
Gian Mario Anselmi Tradizione rinascimentale italiana e lette | 31 |
Italy and England | 43 |
Copyright | |
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