Practical Radio Writing: The Technique of Writing for Broadcasting Simply and Thoroughly ExplainedLongmans, Green, 1938 - 308 pagine |
Dall'interno del libro
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Pagina 55
... lines , must be registered in radio drama by lines , or sound - effects , or both , and by the movement of actors away from the microphone . If the actor's voice comes from a distance , that is , if it is fainter than the voice of ...
... lines , must be registered in radio drama by lines , or sound - effects , or both , and by the movement of actors away from the microphone . If the actor's voice comes from a distance , that is , if it is fainter than the voice of ...
Pagina 238
... Lines - This sub - division of comedy writing covers two fields of radio which have never been sufficiently ... lines — words which easily recognized types of people might speak . Farce comedy is less broad than burlesque . In its most ...
... Lines - This sub - division of comedy writing covers two fields of radio which have never been sufficiently ... lines — words which easily recognized types of people might speak . Farce comedy is less broad than burlesque . In its most ...
Pagina 239
... lines are natural but fast mov- ing and " brittle " — the sort of conversation really clever people might develop if all of them happened to think of the lines at the precise moment . - " High comedy " is exaggerated , of course as ...
... lines are natural but fast mov- ing and " brittle " — the sort of conversation really clever people might develop if all of them happened to think of the lines at the precise moment . - " High comedy " is exaggerated , of course as ...
Sommario
CONTENTS CONSIDERATIONS IN PLANNING A PROGRAM | 1 |
CONTINUITY | 2 |
THE MECHANICS OF RADIO DRAMA | 3 |
Copyright | |
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Practical Radio Writing: The Technique of Writing for Broadcasting Simply ... Katharine Seymour,John Tilden Waite Martin Visualizzazione estratti - 1938 |
Practical Radio Writing: The Technique of Writing for Broadcasting Simply ... Katharine Seymour,John Tilden Waite Martin Visualizzazione estratti - 1938 |
Practical Radio Writing: The Technique of Writing for Broadcasting Simply ... Katherine Seymour,John Tilden Waite Martin Anteprima non disponibile - 2013 |
Parole e frasi comuni
action actors AD LIB adaptation advertising Alice ANNOUNCER appeal ATWOOD audience Aunt Jane basic Big Ben Chime Blake boarding house broadcasting company CALDWELL Captain Cavalcade of America Chapter characters CHIEF CHASE Chime Alarm Chingachgook comedy commercial credits Cooper CORA Dan McCarthy dialogue door DORIS dramatic programs effective electricity entertainment fact FADING FARADAY fire forms of presentation FRANKLIN GALVANI GOLIGHTLY grams guests half-hour HAWKEYE hear heard HEYWARD HOLMES idea important interest interview James Fenimore Cooper Jim Stebbins Jimmy Magua material medium microphone Miss McDonald musical program narrator National Broadcasting Company novel ORCHESTRA personality Peter Pettigrew plot radio director radio drama radio dramatist radio program radio writer rehearsal ring river scene serial sound sound-effects speech SPIER sponsor Sport stations story studio successful Susan talk tell Thales theme Thomas tion Uncas voice WHISPER written