Practical Radio Writing: The Technique of Writing for Broadcasting Simply and Thoroughly Explained |
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Pagina 49
The following specific example illustrates the basic differ- ence in treatment of stage plays and radio plays - the man- ner in which the writer's approach to his play must differ in the two mediums . Let us assume that we are opening a ...
The following specific example illustrates the basic differ- ence in treatment of stage plays and radio plays - the man- ner in which the writer's approach to his play must differ in the two mediums . Let us assume that we are opening a ...
Pagina 51
and to make sure that such reactions are conveyed to the audience , in spite of a darkened stage . In other words , the drama registers upon auditors ' minds through two senses those of sight and hearing .
and to make sure that such reactions are conveyed to the audience , in spite of a darkened stage . In other words , the drama registers upon auditors ' minds through two senses those of sight and hearing .
Pagina 125
With the stage play , there is no danger of the theatre audience becoming bored during those first ten minutes . There are stage set and prop- erties , costumes , the physical appearance of the actors and other visual effects to ...
With the stage play , there is no danger of the theatre audience becoming bored during those first ten minutes . There are stage set and prop- erties , costumes , the physical appearance of the actors and other visual effects to ...
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Sommario
CONTENTS CONSIDERATIONS IN PLANNING A PROGRAM | 1 |
CONTINUITY | 2 |
THE MECHANICS OF RADIO DRAMA | 3 |
Copyright | |
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Practical Radio Writing: The Technique of Writing for Broadcasting Simply ... Katharine Seymour,John Tilden Waite Martin Visualizzazione estratti - 1938 |
Practical Radio Writing: The Technique of Writing for Broadcasting Simply ... Katharine Seymour,John Tilden Waite Martin Visualizzazione estratti - 1938 |
Practical Radio Writing: The Technique of Writing for Broadcasting Simply ... Katherine Seymour,John Tilden Waite Martin Anteprima non disponibile - 2013 |
Parole e frasi comuni
action actors adaptation advertising ANNOUNCER appeal ATWOOD audience Aunt Jane basic broadcast called Captain cast Chapter characters close comedy commercial credits complete continuity Cooper course create dialogue direction director discussed door educational effective electricity elements established experience fact FADING field fire give hear heard HOLMES idea important interest knowledge light lines listeners living look material means medium microphone mind Miss natural never novel opening original particular performance personality Peter planning play plot political prepared presentation radio drama radio writer requires ring river rule scene script selected setting sound sound-effects speech sponsor stage stations story successful sure Susan talk tell thing Thomas tion Uncas usually voice week WHISPER written young