Practical Radio Writing: The Technique of Writing for Broadcasting Simply and Thoroughly ExplainedLongmans, Green, 1938 - 308 pagine |
Dall'interno del libro
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Pagina 247
... studio audience and most of them do - be sure to be a member of the audience . Study the reactions of the people who are present . So long as the personality is honest with his studio audience and relies entirely upon aural effects ...
... studio audience and most of them do - be sure to be a member of the audience . Study the reactions of the people who are present . So long as the personality is honest with his studio audience and relies entirely upon aural effects ...
Pagina 269
... Studio 2. The Control Room 3. Microphones I. The Studio Fundamentally , a radio studio is merely a sound - proof room , so designed and built that not too much reverberation will result from sounds produced in it . Depending upon the ...
... Studio 2. The Control Room 3. Microphones I. The Studio Fundamentally , a radio studio is merely a sound - proof room , so designed and built that not too much reverberation will result from sounds produced in it . Depending upon the ...
Pagina 270
... studio decoration or the lack of it , as they find it . Once a director has worked in a studio , he will come to know its characteristics . But such problems as the proper placement of microphones should be left to the engineer who is ...
... studio decoration or the lack of it , as they find it . Once a director has worked in a studio , he will come to know its characteristics . But such problems as the proper placement of microphones should be left to the engineer who is ...
Sommario
2 CONSIDERATIONS IN PLANNING A PROGRAM | 1 |
THE MECHANICS OF RADIO DRAMA | 3 |
THE ORIGINAL RADIO DRAMA | 4 |
Copyright | |
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Practical Radio Writing: The Technique of Writing for Broadcasting Simply ... Katharine Seymour,John Tilden Waite Martin Visualizzazione estratti - 1938 |
Practical Radio Writing: The Technique of Writing for Broadcasting Simply ... Katharine Seymour,John Tilden Waite Martin Visualizzazione estratti - 1938 |
Practical Radio Writing: The Technique of Writing for Broadcasting Simply ... Katherine Seymour,John Tilden Waite Martin Anteprima non disponibile - 2013 |
Parole e frasi comuni
action actors AD LIB adaptation advertising Alice ANNOUNCER appeal ATWOOD audience Aunt Jane basic Big Ben Big Ben Chime Blake boarding house broadcasting company CALDWELL Captain Cavalcade of America Chapter characters CHIEF CHASE Chime Alarm Chingachgook comedy commercial credits Cooper CORA Dan McCarthy dialogue door DORIS dramatic programs effective electricity entertainment fact FADING FARADAY fire forms of presentation FRANKLIN GALVANI GOLIGHTLY grams guests half-hour HAWKEYE hear heard HEYWARD HOLMES idea important interest interview James Fenimore Cooper Jim Stebbins Jimmy Magua material medium microphone Miss McDonald musical program narrator National Broadcasting Company novel ORCHESTRA personality Peter Pettigrew plot radio director radio drama radio dramatist radio program radio writer rehearsal ring scene serial sound sound-effects speech SPIER sponsor Sport stations story studio successful Susan talk tell theme Thomas tion Uncas voice WHISPER written