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BY THE CARPENTER
THEY will tell you in Anchuria, that President
It is back of the town near a little bridge that spans a mangrove swamp. A plain slab of wood stands at its head. Some one has burned upon the headstone with a hot iron this inscription:
RAMON ANGEL DE LAS CRUZES
It is characteristic of this buoyant people that they pursue no man beyond the grave. “Let God be his judge !”— Even with the hundred thousand unfound, though greatly coveted, the hue and cry went no further than that,
To the stranger or the guest the people of Coralio will relate the story of the tragic end of their former president; how he strove to escape from the country with the public funds and also with Doña Isabel Guilbert, the young American opera singer; and how, being apprehended by members of the opposing political party in Coralio, he shot himself through the head rather than give up the funds, and, in consequence, the Señorita Guilbert. They will relate further that Doña Isabel, her adventurous bark of fortune shoaled by the simultaneous loss of her distinguished admirer and the souvenir hundred thousand, dropped anchor on this stagnant coast, awaiting a rising tide.
They say, in Coralio, that she found a prompt and prosperous tide in the form of Frank Goodwin, an American resident of the town, an investor who had grown wealthy by dealing in the products of the country - a banana king, a rubber prince, a sarsaparilla, indigo, and mahogany baron. The Señorita Guil
rt, you will be told, married Señor Goodwin on
month after the president's death, thus, in the very moment when Fortune had ceased to smile, wresting from her a gift greater than the prize withdrawn.
Of the American, Don Frank Goodwin, and of his wife the natives have nothing but good to say. Don Frank has lived among them for years, and has compelled their respect. His lady is easily queen of what social life the sober coast affords. The wife of the governor of the district, herself, who was of the proud Castilian family of Monteleon y Dolorosa de los Santos y Mendez, feels honoured to unfold her napkin with olive-hued, ringed hands at the table of Señora Goodwin. Were you to refer (with your northern prejudices) to the vivacious past of Mrs. Goodwin when her audacious and gleeful abandon in light opera captured the mature president's fancy, or to her share in that statesman's downfall and malfeasance, the Latin shrug of the shoulder would be your only answer and rebuttal. What prejudices there were in Coralio concerning Señora Goodwin seemed now to be in her favour, whatever they had been in the past.
It would seem that the story is ended, instead of begun; that the close of a tragedy and the climax of a romance have covered the ground of interest; but, to the more curious reader it shall be some slight in