Mahler StudiesStephen E. Hefling Cambridge University Press, 6 feb 1997 - 309 pagine Mahler Studies comprises ten innovative essays on topics spanning the range of Mahler research. Blaukopf's inquiry into critical influences on Mahler's student years provides background for Reilly's reassessment of sources for 'Opus 1', Das klagende Lied. McClatchie introduces Mahler's previously inaccessible correspondence with family members, while Feder presents insightful psychoanalytic perspectives on Mahler's relationships to his sister Justine and other women in his life before Alma. Mitchell and La Grange explore the complex issue of quotation and allusion in Mahler's oeuvre. The long-restricted Seventh Symphony sketchbook provides detailed glimpses of that Mahlerian 'world' emerging in its earliest stages, as documented by Hefling. Issues of tonal structure and coherence are addressed by Agawu and Williamson, while Franklin on Adorno's Mahler provides a clear explication of that author's dialectic engagement with the composer. |
Sommario
Das klagende Lied reconsidered 25 | 25 |
the family letters of Gustav Mahler 53 | 53 |
Gustav Mahler and Das EwigWeibliche 78 | 78 |
significant influences | 110 |
Mahlers Seventh | 169 |
Prolonged counterpoint in Mahler 217 | 217 |
Dissonance and middleground prolongations | 248 |
his fractures are the script of truth Adornos Mahler 271 | 271 |
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Abschied Adorno Alfred Rosé Alma Alma Mahler Alma Schindler already AMML4 Anna Anna von Mildenburg appears Arnold Rosé autograph bars bass Beethoven Blaukopf Brahms cadence chord chromatic complete composer composition Conservatory counterpoint Das klagende Lied diatonic direct continuity dissonance dominant Eighth Erde essay finale folio Fourth Symphony German GMB2 GMBE Grange Guido Adler Gustav Mahler Gustav to Justine Hamburg harmonic Hefling HLGF Hubička Iglau klagende Lied La Grange later Letter from Gustav Lieder Mahler-Rosé Collection Mahler's letters Mahler's music Mahleriana major manuscript material melodic Mildenburg minor motive movement Natalie Bauer-Lechner NBL2 NBLE neighbor-note neoclassicism Ninth Symphony notebook notes opera orchestral Otto passage perhaps piano Plate progression prolongation quotations relationship scherzo Schoenberg Schumann score Seventh Symphony Seventh Symphony sketchbook Sixth sketch Smetana song Spielmann Strauss structural style third tion tonal tonic trans triad University Vienna voice Wagner Waldmärchen Wunderhorn