Antonio Salieri and Viennese Opera

Copertina anteriore
University of Chicago Press, 1998 - 648 pagine
Many know Antonio Salieri only as Mozart's envious nemesis from the film Amadeus. In this well-illustrated work, John A. Rice shows us what a rich musical and personal history this popular stereotype has missed.

Bringing Salieri, his operas, and eighteenth-century Viennese theater vividly to life, Rice places Salieri where he belongs: no longer lurking in Mozart's shadow, but standing proudly among the leading opera composers of his age. Rice's research in the archives of Vienna and close study of his scores reveal Salieri to have been a prolific, versatile, and adventurous composer for the stage. Within the extraordinary variety of Salieri's approaches to musical dramaturgy, Rice identifies certain habits of orchestration, melodic style, and form as distinctively "Salierian"; others are typical of Viennese opera in general. A generous selection of excerpts from Salieri's works, most previously unpublished, will give readers a fuller appreciation for his musical style—and its influence on Mozart—than was previously possible.
 

Sommario

Introduction
1
From Venice to Vienna
9
Theaters Management Personnel
32
Goldonian Opera Buffa in Vienna before Salieri
61
Constructing Le donne letterate
111
Youthful Exploration and Experiment
152
Three Goldonian Comedies
182
Joseph II and the End of the Impresarial Decade
232
Josephs Italian Troupe and the Renewal of Viennese Opera Buffa
330
Tarare and Axur re dOrmus
385
Da Ponte Ferrarese and Hofkapellmeister Salieri
421
Mozart and Salieri
459
Leopold II Tomeoni and the Triumph of Neapolitan Opera Buffa
493
Withdrawal and Reemergence 179296
527
Salieris Last Operas and the End of Viennese Italian Opera
561
A Chronological List of Salieris Operas
599

Italy 177880
255
Josephs Singspiel Troupe and Der Rauchfangkehrer
281
Les Danaïdes
307

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Informazioni sull'autore (1998)

John A. Rice is a writer and teacher who has devoted much of his career to the exploration of music in eighteenth- and early nineteenth-century Europe. He is the author of several books, including Antonio Salieri and Viennese Opera, also published by the University of Chicago Press.

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