454 SHELLEY (Percy Bysshe). Epipsychidion. Well printed in red and black, with facsimile title-page of the first edition. 8vo., boards, as issued. 1921.

Limited to 500 copies.

7s. 6d.

455 STANTON PRESS. The Game of Chess. Done into English from the Latin of M. Vida. Introduction by R. C. Lambert. Decorated with woodcuts by Nell Lambert. 4to. The Stanton Press,

1921.

Limited edition of 250 numbered copies.

15s.

456 The Journal of the Printing Office at STRAWBERRY HILL. Now first printed from the MS. of Horace Walpole. With notes by Paget Tonybee, M.A., D.Litt. 4to.

1923.

Printed at the Chiswick Press in a limited edition of 650 copies.

£1 15s.

1909. 4to.

457 SWINBURNE (A. C.). Songs Before Sunrise. 1909. Original half vellum, slightly soiled.

10s.

One of 650 numbered copies on hand-made paper, printed in red and black by the Florence Press.

12s. 6d.

458 SWINBURNE (A. C.). Selections from, edited by Edmund Gosse and T. J. Wise. 8vo. Parchment, gilt. 1919. Limited edition of 525 numbered copies.

459 TROLLOPE (Anthony). The Noble Jilt: a Comedy. Edited with a Preface by Michael Sadler.

Limited to 500 copies.

8vo. 1923.

15s.

460 VALE PRESS. De Cupidis et Psyches Amoribus Fabula Anilis. Textum recensuit C. J. Holmes. Folio. Boards, with linen back, as issued. 1901.

£3 10s.

Limited edition, printed in the "King's" type. 461 The VALE PRESS. A Bibliography of, printed in three types: "The Vale," "The Avon," and "The King's. graved by C. Ricketts after a painting by C. H. Shannon. Vale Press under the supervision of C. Ricketts. 8vo. linen back, as published. 1904.

Printed at the Frontispiece en

8vo. Boards, with

8vo.

462 YEATS (W. B.). The Trembling of the Veil.
of the author from a picture by Charles Shannon. 8vo.
for subscribers, 1922.
Limited to 1,000 numbered copies, signed by the author.

ADDENDA.

With a portrait £3 10s.

Privately Printed

£1 10s.

463 ARCHER (W.). The Old Drama and the New. FIRST EDITION,

1923. NEW.

10s. 6d.

9 vols., June 1899-Sept. FINE SET.

464 The ANGLO-SAXON REVIEW. 1901, 4to., original full calf, richly gilt. £6 6s. An interesting collection of contributors make this periodical (if one may so term a publication so richly produced as this) a very desirable one. SWINBURNE, BEERBOHM, HUGH CLIFFORD, LANG, MAETERLINCK, CUNNINGHAME GRAHAM, DAVIDSON, GISSING, STEPHEN CRANE, Gosse, G. B. SHAW, and many other brilliant writers contributed original mutter to its pages, and there are many photogravure reproductions of famous pictures. Each volume is bound in a reproduction of an old binding, each of which is selected for its beauty. Altogether the "Review" forms a handsome and desirable item.

465 BELLOC(H.). Caliban's Guide to Letters. FIRST EDITION, 1903. Wrappers. NICE COPY, but covers slightly faded.

10s. 6d.

466 BENNETT (A.). Anna of the Five Towns. FIRST EDITION, 1902. NICE COPY. £22

Presentation copy, signed, from the Author to Joseph Conrad. Of the greatest interest, linking, as it does, two eminent contemporary authors.

467 BRILLAT-SAVARIN. The Physiology of Taste; or, Meditations or Transcendental Gastronomy: Newly Served up in English. With an Introduction by Arthur Machen, and a Biographical Note. Portrait of the Author and forty designs by Andrew Johnson. Roy. 8vo., marbled boards, with vellum back, gilt, 1925.

Limited edition of 750 numbered copies.

£2 2s.

468 The CAMBRIDGE A.B.C. Numbers 1 to 4 (all published), June 8th, 9th, 11th and 12th, 1894. Cover design by Aubrey Beardsley. In one volume, sm. 4to., green crushed levant, inside dentelles (by Riviere). FINE COPY. £45

The contributors and co-editors of "The Cambridge A.B.C." were Maurice Baring, R. Austen Leigh and Hubert Cornish. The particular copy catalogued is of unique interest, being that which actually belonged to the Hon. Maurice Baring. It has the initials of the various contributors to the journal pencilled by him after their respective writings. It has also his bookplate (designed by Hilaire Belloc).

Inserted are two original letters from Aubrey Beardsley to Maurice Baring. In the first Beardsley accepts the commission to draw the coverdesign for the " Cambridge A.B.C." for ten guineas. In the second Beardsley states a preference for the reproduction of his design to be in blackand-white, and not in red, which was apparently proposed and which he states would spoil the picture.