AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
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Risultati 1-3 di 20
Pagina 127
... expressive , though a little sweeter and tenderer for the simple flowing tune , the indulgence in a much slower rate than that of the words as they would be spoken , loses this very effect of words at their natural spoken rate . This ...
... expressive , though a little sweeter and tenderer for the simple flowing tune , the indulgence in a much slower rate than that of the words as they would be spoken , loses this very effect of words at their natural spoken rate . This ...
Pagina 165
... expressive function ; for their expressive function cannot be exercised except formally . Everything in a concrete work of art is formal at one RELEVANCE THROUGH EXPRESSION 165.
... expressive function ; for their expressive function cannot be exercised except formally . Everything in a concrete work of art is formal at one RELEVANCE THROUGH EXPRESSION 165.
Pagina 191
... expressive sculptured figure . To feel the abnormally long bodies and faces of El Greco as merely distortion , instead of feeling them as ascetic and in some of his portraits as aristocratic , or as expressive of saintly ecstatic ...
... expressive sculptured figure . To feel the abnormally long bodies and faces of El Greco as merely distortion , instead of feeling them as ascetic and in some of his portraits as aristocratic , or as expressive of saintly ecstatic ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words