AEsthetic AnalysisThomas, Y. Crowell, 1936 - 211 pagine |
Dall'interno del libro
Risultati 1-3 di 59
Pagina xxvi
... simply a means of demonstrating how nature provided a structural basis for composers to develop the major scale . Prall's way of extracting the scale from the overtones is not a hypothesis as to how it evolved histori- cally . He is ...
... simply a means of demonstrating how nature provided a structural basis for composers to develop the major scale . Prall's way of extracting the scale from the overtones is not a hypothesis as to how it evolved histori- cally . He is ...
Pagina 148
... simply is the way the world feels to us through our senses as instrumentalities of conscious apprehension . Pale blue feels milder than flaming red just as definitely and accurately as it feels pale blue . Qualitative terms are thus ...
... simply is the way the world feels to us through our senses as instrumentalities of conscious apprehension . Pale blue feels milder than flaming red just as definitely and accurately as it feels pale blue . Qualitative terms are thus ...
Pagina 149
... simply is the way the world feels to us through our senses as instrumentalities of conscious apprehension . Pale blue feels milder than flaming red just as definitely and accurately as it feels pale blue . Qualitative terms are thus ...
... simply is the way the world feels to us through our senses as instrumentalities of conscious apprehension . Pale blue feels milder than flaming red just as definitely and accurately as it feels pale blue . Qualitative terms are thus ...
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abstract accent acquaintance actual adequate aesthetic æsthetic content æsthetic experience æsthetic objects æsthetic surface æsthetic theory appre apprehended artists attention basic body called carbonated water character characteristic clear clearly color variations complex concrete conscious constitute crete criticism defined definitely degree determinate direct directly discerned discriminating distinct distinguished Dominant duration El Greco elements emotional exhibited expressive fact familiar felt formal function fundamental give given grasp human iambs indicate individual intelligible intrinsic knowledge Leverett House means measure Mediant merely musical scale notes obvious octave particular Pathétique Sonata perceptual physical pitch intervals pitch relation Polyclitus Prall processes qualitative orders relevant rhythmical scale scheme sculpture sense sensuous serial orders simply sonata form sort sound spatial specific string structure Subdominant syllables systematic temporal aspect temporal pattern tern theory of forms timbre tion Tonic trochees University of Michigan-Flint vague vibration rate whole words