First Impressions: Essays on Poetry, Criticism, and ProsodyBooks for Libraries Press, 1968 - 249 pagine While all the other teddy bears are sleepily going off to bed, John feels wide awake and wants to play. On heavy board pages. |
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Pagina 167
... Moore stands alone at the present time in that class which has included the artist and the thinker together : the Goethe - type as one might call it . It is the class in which many would place , for instance , Mr. Santayana , although ...
... Moore stands alone at the present time in that class which has included the artist and the thinker together : the Goethe - type as one might call it . It is the class in which many would place , for instance , Mr. Santayana , although ...
Pagina 175
... Moore makes to artists as a result of his aesthetic views is that they should cherish originality less and perfection more , and specifically that they should not fear to rewrite master- pieces when poised , so to speak , on the vantage ...
... Moore makes to artists as a result of his aesthetic views is that they should cherish originality less and perfection more , and specifically that they should not fear to rewrite master- pieces when poised , so to speak , on the vantage ...
Pagina 176
... Moore begins with the smallest of them . To him the world that matters is a world that we have built - and as a wood engraver he knows that we don't build by merely making blue prints and computations . In his book of child poems ...
... Moore begins with the smallest of them . To him the world that matters is a world that we have built - and as a wood engraver he knows that we don't build by merely making blue prints and computations . In his book of child poems ...
Sommario
Edwin Arlington Robinson | 13 |
Robert Frost | 37 |
Carl Sandburg | 53 |
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Altre edizioni - Visualizza tutto
First Impressions: Essays on Poetry, Criticism, and Prosody Llewellyn Jones Visualizzazione completa - 1925 |
First Impressions: Essays on Poetry, Criticism, and Prosody Llewellyn Jones Visualizzazione completa - 1925 |
First Impressions: Essays on Poetry, Criticism, and Prosody Llewellyn Jones Visualizzazione estratti - 1968 |
Parole e frasi comuni
Abercrombie accent Adelaide Crapsey aesthetic Alice Meynell America amphibrachic anapæstic artist beat beauty blank verse Carl Sandburg character cinquains Crapsey's criticism Croce death decorative Edgar Lee Masters Edwin Arlington Robinson emotional English verse experience expression eyes fact feel feet free verse Frost give Guinevere heart human humor iambic imagine instance Lancelot Lindsay Lindsay's live Lowell's lyric Mare Mare's matter Merlin metre metrical Meynell Miss Crapsey Miss Lowell Mitch Miller mood Moore Moore's moral mother natural never perhaps philosophic phrase picture poet poetic poetry prose published purely quoted reader regular verse rhythm rhythmic Robert Bridges Robinson Rupert Brooke satire sense simply Smoke song sort speak spirit spondee stanza story Sturge Moore syllables tells theme thing thou thought tion told tragedy volume whole wind woman words writing written Yeats Yeats's Zorn