A Text-book for the Study of PoetryAllyn and Bacon, 1913 - 214 pagine |
Dall'interno del libro
Risultati 1-5 di 31
Pagina 16
... proper end of prose is kept uppermost , viz . , to communicate thought or fact , - and the emotion is merely incidental and subsidi- ary . On the other hand , the poet's first thought is not to address the reader , but to express the ...
... proper end of prose is kept uppermost , viz . , to communicate thought or fact , - and the emotion is merely incidental and subsidi- ary . On the other hand , the poet's first thought is not to address the reader , but to express the ...
Pagina 17
... proper mood for reading poetry at all , nor the mood demanded of us by the poet . To illustrate this difference between prose and poetic narra- tive , we may compare the opening lines of Maupassant's " Neck- lace " and of Tennyson's ...
... proper mood for reading poetry at all , nor the mood demanded of us by the poet . To illustrate this difference between prose and poetic narra- tive , we may compare the opening lines of Maupassant's " Neck- lace " and of Tennyson's ...
Pagina 18
... proper to poetry must not be immoral , that is , must not imply sympathy with what is immoral . Several views of the question require our attention . 1 See on this whole subject F. N. Scott , in Mod . Lang . Assoc . Publica- tion , Vol ...
... proper to poetry must not be immoral , that is , must not imply sympathy with what is immoral . Several views of the question require our attention . 1 See on this whole subject F. N. Scott , in Mod . Lang . Assoc . Publica- tion , Vol ...
Pagina 22
... proper poetic plane . The fear experienced by one who witnesses a tragedy is very different from the shrinking fear attend- ing personal or real danger . In so far as we fear for the characters of the drama , the unreality of the ...
... proper poetic plane . The fear experienced by one who witnesses a tragedy is very different from the shrinking fear attend- ing personal or real danger . In so far as we fear for the characters of the drama , the unreality of the ...
Pagina 31
... proper , and the other Fancy . These terms are used to designate a higher and a lower use of the power . The difference between them will become more apparent as we advance , but in their general traits they may be described as follows ...
... proper , and the other Fancy . These terms are used to designate a higher and a lower use of the power . The difference between them will become more apparent as we advance , but in their general traits they may be described as follows ...
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Parole e frasi comuni
accent action Æneas Æneid æsthetic Alliteration anapests antistrophe Aristotle Arthur artistic beautiful cæsura chapter character Comedy conceived conception dactyls definition of poetry diction distinct dramatic Edipus effect elements English epic essential example expression external fancy fear feeling following lines Golden Treasury Greek heart Hecuba Hence hero Hubert iambic iambic pentameter idea idealization Iliad imaginative faculty impression incidents instance intensity King Lear language Lycidas lyric poetry Macbeth merely metre Milton mind narration narrative narrative poetry nature noble emotion object Onomatopoeia Paradise Lost passions pathos pause phrase pity play plot poem poet poet's poetic Polymestor principles proper prose purely reader represent rhyme satire scene sense Shakespeare Shelley song sonnet soul stanza style suggested syllables Tennyson's thee thou thought tion tragedy tragic trochaic trochees true truth unity verse verse-stress vividness word-painting words Wordsworth writer
Brani popolari
Pagina 192 - Fear death? — to feel the fog in my throat, The mist in my face, When the snows begin, and the blasts denote I am nearing the place, The power of the night, the press of the storm, The post of the foe; Where he stands, the Arch Fear in a visible form, Yet the strong man must go...
Pagina 158 - I SPRANG to the stirrup, and Joris, and he ; I galloped, Dirck galloped, we galloped all three ; " Good speed ! " cried the watch, as the gatebolts undrew ; "Speed...
Pagina 39 - O Proserpina ! For the flowers now that frighted thou let'st fall From Dis's waggon ! daffodils, That come before the swallow dares, and take The winds of March with beauty ; violets dim, But sweeter than the lids of Juno's eyes Or Cytherea's breath...
Pagina 158 - HALF a league, half a league, Half a league onward, All in the valley of Death Rode the six hundred. " Forward, the Light Brigade! Charge for the guns," he said: Into the valley of Death Rode the six hundred. "Forward, the Light Brigade!
Pagina 38 - I know a bank where the wild thyme blows, Where ox-lips and the nodding violet grows ; Quite over-canopied with luscious woodbine, With sweet musk-roses, and with eglantine...
Pagina 195 - Created hugest that swim the ocean stream : Him, haply, slumbering on the Norway foam, The pilot of some small night-foundered skiff Deeming some island, oft, as seamen tell, With fixed anchor in his scaly rind Moors by his side under the lee, while night Invests the sea, and wished morn delays...
Pagina 32 - Her lips were red, her looks were free, Her locks were yellow as gold: Her skin was as white as leprosy, The Night-mare LIFE-IN-DEATH was she, Who thicks man's blood with cold. The naked hulk alongside came, And the twain were casting dice; "The game is done! I've won! I've won!
Pagina 200 - Each cast at the other, as when two black clouds, With Heaven's artillery fraught, come rattling on Over the Caspian ; then stand front to front Hovering a space, till winds the signal blow To join their dark encounter in mid air...
Pagina 44 - Those green-robed senators of mighty woods, Tall oaks, branch-charmed by the earnest stars, Dream, and so dream all night without a stir...
Pagina 165 - THAT'S my last Duchess painted on the wall, Looking as if she were alive. I call That piece a wonder, now: Fra Pandolf's hands Worked busily a day, and there she stands. Will't please you sit and look at her? I said "Fra Pandolf...