The Cambridge Introduction to NarrativeAn Introduction to Narrative is designed to help readers understand what narrative is, how it is constructed, how it acts upon us, how we act upon it, how it is transmitted, and how it changes when the medium or the cultural context change. Porter Abbott emphasises that narrative is found not just in the arts but everywhere in the ordinary course of peoples lives. An indispensable tool for students and teachers alike, this book will guide readers through the fundamental aspects of narrative. |
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LibraryThing Review
Recensione dell'utente - hrissliss - LibraryThingIt's a good introductory book for critical theory. It's got a lot of good vocabulary and basic concepts; however, if you've read a fair bit of theory, then it's probably too basic for you. It's ... Leggi recensione completa
Sommario
Narrative and life | 1 |
Narrative and time | 3 |
Narrative perception | 6 |
Defining narrative | 12 |
Story and narrative discourse | 14 |
The mediation construction of story | 17 |
Constituent and supplementary events | 20 |
Narrativity | 22 |
Overreading | 82 |
Gaps | 83 |
Cruxes | 85 |
themes and motifs | 88 |
Three ways to interpret narrative | 93 |
Intentional readings | 95 |
Symptomatic readings | 97 |
Adaptive readings | 100 |
The borders of narrative | 25 |
Paratexts | 26 |
The outer limits of narrative | 27 |
Is it narrative or is it life itself? | 31 |
The rhetoric of narrative | 36 |
Causation | 37 |
Normalization | 40 |
Masterplots | 42 |
Narrative rhetoric at work | 46 |
Closure | 51 |
Closure and endings | 52 |
Closure suspense and surprise | 53 |
Closure at the level of expectations | 54 |
Closure at the level of questions | 56 |
The absence of closure | 57 |
The peril of buying a story | 59 |
Narration | 62 |
The narrator | 63 |
Voice | 64 |
Focalization | 66 |
Distance | 67 |
Reliability | 69 |
Free indirect style | 70 |
Narration on stage and screen | 72 |
lnterpreting narrative | 76 |
The implied author | 77 |
Underreading | 79 |
Adaptation across media | 105 |
Duration and pace | 107 |
Character | 109 |
Figurative language | 111 |
Gaps | 114 |
Focalization | 115 |
Constraints of the marketplace | 118 |
Character and self in narrative | 123 |
Flat and round characters | 126 |
Can characters be real? | 127 |
Types | 129 |
Autobiography | 131 |
Life writing as performative | 134 |
Narrative contestation | 138 |
A narrative latticework | 142 |
Shadow stories | 144 |
Motivation and personality | 146 |
Masterplots and types | 148 |
Revising cultural masterplots | 150 |
Battling narratives are everywhere | 152 |
Narrative negotiation | 156 |
Narrative negotiation | 157 |
Critical reading as narrative negotiation | 162 |
Closure one more time | 168 |
The end of closure? | 171 |
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Parole e frasi comuni
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