Duke S. Come, shall we go and kill us venison? 1 Lord. Indeed, my lord. The melancholy Jaques grieves at that; And, in that kind, sh ears you do more usurp Duke S. But what said Jaques T Did lie not moralize this spectacle? T Lord. O, yes, into a thousand similes. First, for his weeping into the needless stream; "Poor dearquoth lie, "thou mak'st a testament As worldlings do, giving thy sum o/ more To that which had too much;" then, being there Left and abandoned of his velvet friends; [alone, *'' Tis right," quoth he; "thus misery doth part TheJlux of company ,*" anon, a careless herd, Full of the pasture, jumps along by him, And never stays to greet him; "Ay," quoth Jaques, "Sweep on, you /at and greasy citizens; '7'is just the fashion: -wherefore do you look Upon that poor and broken bankrupt tliere T" Thus most invectivcly he pierceth through The body of the country, city, court. Yea, and of this our life: swearing that we Are mere usurpers, tyrants, and what's worse, To fright the animals, and to kill them up. In their assign'd and native dwelling-place. ftion¥ Duke S. And did you leave him in this contenipla 2 Lord. We did, my lord, weeping and commenting Upon the sobbing deer. Duke S. Show me the place: I love to cope him in these sullen fits. a Lord. I'll bringyoutohim straight. [Exeunt. SCENE 11.—A Room in the Palace. F.nter Duke Frederick, Lords, and Attendants. Duke F. Can it be possible that no man saw them f i Lord. I cannot hear of any that did see her. c Lord. My lord, the roynish clown, at whom so oft Duke F. Send to his brother; fetch that gallant SCENE III.—Oliver's House. Adam. What, my young master?—O mv gentle O my sweet master I O you memory [master I Of old Sir Rowland! why, what make you here? Why are you virtuous? Why do people Inve you? And wherefore ;ire yon irentie, strong, and valiant? Why would you be so fond to overcome The bony priser of the humorous duke? Adam. O unhappy youth. Come not within these doors; within this root Adam. No matter whither, so you come not here. Orl. What J wouldst thou have me go and beg my food? Or with a base and boist'rous sword enforce Adam. But do not so. 1 have five hundred crowns. Orl. O good old man, how well in thee appears Adam. Master, go on, and I will follow thee. {Exeunt. SCENE IV.— The Forest of Arden. Enter Rosalind dressed like a boy, Celia like a shepherdess, and Touchstone. Ros. O Jupiter I how weary are my spirits! Touch. ! care not for my spirits, if my legs were not weary. Ros. I could find in my heart to disgrace my man's apparel, and to cry like a woman: but I must comfort the weaker vessel, as doublet and hose ought to show itself courageous to petticoat: therefore, courage, good AHena. Cel. I pray you, bear with me; I can go no farther. | Touch. For my part, I had rather bear with >ou, than bear.you: yet I should bear no cross, if I did bear yot:; for I think you have no money in your purse. Ros. Wei!, this is the forest of Arden. Touch. Ay, now am I in Arden; the more fool I; when 1 was at home, I was in a better place: hut travellers must be content, Ros. Ay, be so, good Touchstone.—Look you, who conies here; a young man, and an old, in solemn talk. Enter Corin and Silvius. Cor. That is the way to make her scorn you still. 5*7. O Corin, that thou knew'st how I do love her I Cor. I partly guess; for I have lov'd ere now. Sit. No, Corin, being old, thou canst not guess; Cor. Into a thousand that I have forgotten. Sit. O, thou didst then ne'er love so heartily, Or if thou hast not broke from company' {Exit. Ros. Alas, poor shepherd I searching of thy wound, I have by hard adventure fouadmine own. Touch. And I mine. I remember, when I was in love, I broke my sword upon a stone, and bid him take that for coming a-night to Jane Smile: and I remember the kissing of her batlet, and the cow's dugs that her pretty chopped hands had milked: and I remember the wooing of a peascod instead of her ; from whom I took two cods, and giving her them again, said with weeping tears, " Wear these for my sake." We, that are true lovers, run into strange capers ; but as all is mortal in nature, so is all nature in love mortal in folly. Ros. Thou speakest wiser than thou art 'ware of. Touch. Nay, I sliall ne'er be 'ware of mine own wit, Ros. Jove, Jove 1 this shepherd's passion Touch. And mine; bat it grows something stale Cel. I pray you, one of you question yond* man. Touch. Ho!a, you clown 1 Ros. Peace, fool: he's not thy kinsman. Cor. Who calls? Touch. Your betters, sir. Cor. Else are they very wretched. Ros. Peace, I say.— Good even to you, friend. Cor. And to you, gentle sir, and to you all. Ros. 1 pr'ythee, shepherd, if (hat love or gold Cor. Fair sir, I pity her. And wish, for her sake more than for mine own. Ros. What is he that shall buy his flock and pasture? Cor. That young swain that you saw here but ereThat little cares for buying anything. (while, Ros. I pray thee, if it stand with honesty. Buy thou the cottage, pasture, and the flock. And thou shalt have to pay for it of us. Cel. And we will mend thy wages: I like this place And willingly could waste my time in it Cor. Assuredly, the thing is to be sold: Go with me: If you like, upon report. SCENE V.—Another part of the Forest, A mi. Undcr the green wood tree Ami. What you will, monsieur Jaques. Ami. Well, 111 end the song.—Sirs, cover the while; the duke wilt drink under this tree.—He hath been all this day to look you. Jaq. And I have been all this day to avoid him. He is too disputable for my company: I think of as many matters as he; but I give heaven thanks, and make no boast of them. Come, warble, come. SONG. [Alt together here. ] Who doth ambition shun, If it do come to pass. Ami. And I'll go seek the duke: his banquet is prepared. [Exeunt severally. SCENE VI.—Another part of the Forest. Or I. Why. how now. A dam? no greater heart in thee? L ive a little ; comfort a little; cheer thyselfa little. If this uncouth forest yield any thing savage. I will either be food for it, or bring it for food to thee Thy conceit is nearer death than thy powers. For my sake be comfortable: hold death awhile at the arm's end: I will here be with thee presently; and if I bring thee not something to eat, I will irive thee leave to die : but if thou diest before 1 lA I come, thon art a mocker of my labour. Well said I thou lookest cheerly; and 111 be with thee quickly.—Yet thou best in the bleak air: come, i ■will bear thee to some shelter; and thou shall not dk (or lack of a dinner, if there live any thing in th f desert. Cheerly, good Adam. \Exeunt. SCENE VII.—The Forest. A Table set out. Enter Duke Senior, Amiens, Lordd and others. Duke S. I think he be transform'd into a beast; For I can nowhere find him like a man. x Lord. My lord, he is but even now gone hence: Here was he merry, hearing of a song. Duke S. If he, compact of jars, grow musical. We shall have shortly discord in the spheres. Go, seek him : tell him I would speak with him. 1 Lord. He saves my labour by his own approach. Enter Jaques. Duke S. Why, how now, monsieur I what a life is this. That your poor friends must woo your company? yaq. A fool, a fool!—I met a fool i' the forest, Duke S. What fool is this? yaq. O worthy fool!—One that hath beenacourtier And says, if ladies be but young and fair, They have the gift to know it: and in his brain,— Which is as dry as the remainder biscuit After a voyage,—he hath strange places cramm'd With observation, the which he vents In mangled forms.—O that I were a fooll I am ambitious for a motley coat. Duke V. Thou Shalt have one. yaq. It is my only suit; Provided, that you weed your better judgments Duke S. Fie on thee I I can tell what thou woulds' yaq. What, for a counter, would I do, but good! Duke S. Most mischievous foul sin, in chiding sir yaq. Why, who cries out on pride. When that I say the city-woman bears Or/. Forbear, and eat no more. yaq. Why, I have eat none yet Orl. Not shalt not, till necessity be serv'd. y<*q Of what kind should this cock come of? Duke S. Art thou thusbolden'd. man, by thydistress, Or else a rude despiser of good manners. That in civility thou seeni'st so empty? Orl. You touch'd my vein at first: the thorny point Of bare distress hath ta'en from me the show Of smooth civility: yet I am inland bred. And know some nurture. But forbear, I say: He dies, that touches any of this fruit. Till I and my affairs are answered. yaq. An you will not be answered with reason, I must die. [shall force Duke S. What would you have? Your gentleness More than your force move us to gentleness. Orl. 1 almost die for food ; and let me have it. Duke S. Sit down and feed, and welcome to our table. Orl. Speak you so gently? Pardon me, I pray you: t thought that all things had been savage here; And therefore put I on the countenance Of stern commandment. But whate'er you are. That in this desert inaccessible. Under the shade of melancholy boughs, Lose and neglect the creeping hours of time; If ever you have look'd on better days; If ever been where bells have knoll'd to church | If ever sat at any good man's feast; If ever from your eye-lids wip'd a tear, . And know what 'tis to pity, and be pitied; Let gentleness my strong enforcement be: In the which hope, I blush, and hide my sword. Duke S. True is it that we have seen better dayst Orl. Then, but forbear your food a little while. Duke S. Go find him out. And we win nothing waste til! you return. Orl. I thank ye; and be triess'd for your good comfort I I Exit. Duke S. Thou seest. we are not all alone unhappy: This wide and universal theatre Presents more woful pageants, than the scene Wherein we play in. yaq. AH the world's a stage. A n d all the men and women merely players: Fven in the cannon's mouth. And then the justice. And so he plays his part The sixth age shifts Into the lean and slipper* d pantaloon. With spectacles on nose, and pouch on side; His youthful hose, wellsavd, a world too wide For his shrunk shank; and his big manly voice. Turning again toward childish treble, pipes And whistles in his sound. Last scene of all. That ends this strange eventful history. Is second childishness, and mere oblivion,— Sans teeth, sans eyes, sans taste, sans everything. Re-enter Orlando, with Adam. Duke S. Welcome. Set down your venerable burAnd let him feed, [den, Orl. I thank you most for him. Adam. So had you need:— Duke S. Welcome; fall to: I will not trouble you SONG. Ami. Blow, blo7t\ thou winter wind, As man's ingratitude; This life is most jolly. As benefits forgot: Duke S. If that you were the good Sir Rowland's diet me all your fortunes understand. [Exeunt. ACT III. SCENE I.—A Room in the Palace. Enter Duke Frederic!:, Oliver, Lords, and Attendants. Duke F. Not seen him since? Sir, sir, that cannot But were I not the better part made mercy, [be: I should not seek an absent argument Of my revenge, thou present. But look to it: Find out thyurother, wheresoe'er he is; Seek him with candle; bring him, dead or living. Within this twelvemonth, or turn thou no more To seek a living in our territory. Thy lands, and all things that thou dost call thine. Worth seizure, do we seize into our hands, Till thou canst quit thee by thy brother's mouth Of what we think against thee. Oli. 0 that your highness knew my heart in this 1 I never lov'd my brother in my life. Duke F. More villain thou.—Well, push him out of And let my officers of such a nature fdoors; Make an extent upon his house and lands: SCENE II.— The Forest. Orl. Hang there, my verse, in witness of my love; And thou, thrice crowned queen of night, survey With thy chaste eye, from thy pale sphere above. Thy huntress" name, that my full life doth sway. O Rosalind! these wees shall be my books. And in their barks my thoughts I'll character; That every eye, which in this forest looks. Shall see thy virtue witness'd every where. Run, run, Orlando; carve on every tree The fair, the chaste, and unexpressive she. \Exit. Enter Corin and Touchstone. Cor. And how like you this shepherd's life, master Touchstone? Touch. Truly, shepherd, in respect of itself, it is a good life; but in respect that it is a shepherd's life, it is naught. In respect that it is solitary, I like it very well; but in respect that it is private, it is a very vile life. Now, in respect it is in the fields, it pleaseth me well ; but in respect it is not in the court, it is tedious. As it is a spare life, look you, it fits iny humour well; but as there is no more plenty in it, it goes much against my stomach. Hast any philosophy in thee, shepherd? Cor. No more but that I know, the more one sickens, the worse at ease he is; and that he that wants money, means, and content, is without three good friends; that the property of rain is to wet, and fire to burn; that good pasture makes fat sheep , and ttiat a great cause of the night is lack of the sun ; that he that hath learned no wit by nature nor art, may complain of good breeding, or comes of a very dull kindred. Touch. Such a one is a natural philosopher. Wast ever in court, shepherd? Cor. No, truly. Touch. Then thou art damned. Touch. Truly, thou art damned; like an ill-roasted egg, all on one side. Lor. For not being at court? Your reason. Touch. Why, if thou never wast at court, thou 11 ver sawest good manners ; if thou never sawest ^ood manners, then thy manners must be wicked; and wickedness is sin, and sin is damnation. Thou art in a parlous state, shepherd. Cor. Not a whit. Touchstone: those that arc good manners at the court, are as ridiculous in the country, is the behaviour of the country, is most mockable at the court. You told me you salute not at the court, hut you kiss your hands: that courtesy would be uncleanly, if courtiers were shepherds. Touch. Instance, briefly; come, instance. Cor. Why, we are still handling our ewes; and their fells, you know, are greasy. Touch. Why, do not your courtier's hands sweat? and is not the grease of a mutton as wholesome as the sweat of a man? Shallow, shallow. A better instance, I say; come. Cor. Besides, our hands are hard. Touch. Your lips will feel them the sooner. Shallow again. A more sounder instance; come. Cor. And they are often tarred over with the surgery of our sheep; and would you have us kiss tar? The courtier's hands are perfumed with civet. Touch. Most shallow man I Thou worms-meat, in respect of a good piece of flesh, indeed 1— Learn of the wise, and perpend; civet is of a baser birth than tar,—the very uncleanly flux of a cat. Mend the instance, shepherd. Cor. You have too courtly a wit for ine: IH rest. Touch. Wilt thou rest damned? God help thee, shallow man I God make incision in thee! thou art raw. Cor. Sir, I am a true labourer: I earn that I eat, 'et that 1 wear; owe 110 man hate, envy no man's happiness; glad of other men's good, content with my harm; ami the greatest of my pride is, to see iny ewes graze, and mydaiiihs suck. Touch That is another simple sin in you; to bring the ewes and the rains together, and to offer to get your living by the copulation of cattle; to be bawd to :t bell-wether; and to betray a she-lamb of a twelvemonth, to a crooked-pated, old, cuckoldy ram, out of all reasonable match. If thou be'st not damned for this, the devil himself will have no shepherds; I cannot see else how thou shouldst 'scape. Cor. Here comes young master Ganymede, mynew mistress's brother. Enter Rosalind, reading a paper. "brom the east to western Ind, Touch. Ill rhyme you so, eight years together, din net s, and suppers, and sleeping hours excepted : it is the right butter-woman's rate to market. Ros. Out, tool I Touch. For a taste:— If a hart do lack a hind, Let him seek out Rosalind. If the cat will after kind, £0, be sure, will Rosalind. Winter-garments must be lin'd. So must slender Rosalind. They that reap must sluaf and bind; Then to cart with Rosalind. Sweetest nut hath sourest rind. Such a nut £f Rosalind. He that sweetest rose willfind, Af ust Jlnd love's prick, and Rosalind. This is the very false gallop of verses: why do you infect yourself with them* Ros. Peace, you dull fool 1 I found them on a tree. Touch. Truly, the tree yields bad fruit. Ros. I'll exalt* it with you, and then I shall graffit with a medlar: then it will be the earliest fruit i* the country; for you'll be rotten ere you be half ripe, and that's t lie right virtue of the medlar. Touch. You have said; but whether wisely or no, let the forest judge. /inter Celia, reading a paper. "IVhy should this desert silent be ) For it is unpeopled t No; That shall civil sayings show; 'Twixt the souls of friend and friend: Or at every sentence' end. Teaching all that read to know Heaven would in /title show. Therefore heaven Nature cltartfd , That one body should befilt'd With all graces wide enlarg'd; Nature presently distiird Cleopatra's majesty; Sad Lucretia's modesty. By heavenly synod was devis'd; To have the touches dearestpriz'd. Heaven would that she these gifts should have, And I to live and die iter stave." Ros. 0 most gentle Jupiter I—what tedious homily of love have you wearied your parishioners withal and never cried, "Have patience, good people!" Cel. How now I back, friends :—shepherd, go off little :—go with him, sirrah. Touch. Come, shepherd, let us make an honourable retreat; though not with bag and baggage, yet with scrip and scrippage. [ Exeunt CorM and Touchstone. Cel. Didst thou hear these verses Ros. O, yes, I heard them all, and more too; for Some of them had in them more feet than the versewould bear. (verses Cel. That's no matter: the feet might bear the Ros. Ay, but the feet were lame, and could not bear themselves without the verse, and therefore stood lamely in the verse. Cel. Hut didst thou hear without wondering, how thy name should l>e hanged and carved upon these trees? Ros. I was seven of the nine days out of the wonder, before you came: for look here what I found on a palm-tree :—I was never so be-rhymed since Pythagoras' time, that I was an Irish rat, which I can hardly remember. Cel. Trow you who hath done this! Ros. Is it a i 11.111I Cel. And a chain, that you once wore, about hii neck. Change you colour? Ros. I pr'ythee, who? Cel. O lord, lord 1 it is a hard matter for friends to meet; but mountains may be removed with earthquakes, and so encounter. Ros. Nay, but who is it? Cel. Is it possible r f vehemence, tell ine who it is, Ros. Nay, 1 pr'ythee now, with most petitionary Cel. O wonderful, wonderful, and most wonderful wonderful 1 and yet again wonderful, and after that, out of all whooping. Ros. Good ray complexion! dost thou think, though I am caparison'd like a man, I have a doublet and hose in my disposition? One inch of delay mere is a South-sea of discovery; I pr'ythee, tell me who is it quickly, and speak apace. 1 would thou couldst stammer, that thou mightst pour this concealed man out of thy mouth, as wine comes out of a narrow-mouth'd bottle,—either too much at once, or none at all. I pr'ythee, take the cork out of thy mouth, that I may drink thy tidings. Cel. So you may put a man In your belly. Ros. Is he of God's making? What manner of man? Is his head worth a hat, or his chin worths Cel. Nay, he hath but a little beard. [beard! Ros. Why, God will send more, if the man will be thankful: let me stay the growth of his beard, if thou delay me not the knowledge of his chin. Cel. It is young Orlando, that tripped up the wrestler's heels and your heart, both, in an instant. Ros. Nay, but the devil take mocking: speak sad Cel. V faith, coz, 'tis he. [brow, and true maid. Ros. Orlando? Cel. Orlando. Ros. Alas the day! what shall I do with my doublet and hose ?—What did he, when thou sawest him? What said he? How looked he? Wherein went he? What makes he here? Did he ask for me? Where remains he? How parted he with thee? and when shalt thou see him again? Answer me in one word. Cel. You must borrow me Gargantua's mouth first: 'tis a word too great for any mouth of this age's size. To say ny and no to these particulars, is more than to answer in a catechism. Ros. But doth he know that I am in this forest, and in man's apparel? Looks he as freshly as he did the day he wrestled? Cel. It is as easy to count atomies, as to resolve the propositions of a lover :—but take a taste of my muling him, and relish it with good observance. I found mm under a tree, like a dropped acorn. Ros. It may well be called Jove's tree, when it drops forth such fruit. Cel. Give me audience, good madam. Ros. Proceed. [knight Cel. There lay he, stretch"d along like a wounded Ros. Though it be pity to see such a sight, it well becomes the ground. Cel. Cry holla! to thy tongue, I pr'ythee; it curvets unseasonably. He was furnishVI like a hunter. Ros. O, ominous! he comes to kill my heart. Cel. I would sing my song without a burden: thou bringest me out of tune. Ros. Do you not know I am a woman? when I think, I must speak. Sweet, say on. Cel. You bring me out. [iffufer Orlando rzwrfjaques.] Soft ! conies he not here? Ros. 'Tis he: slink by, and note hiin. [Rosalind and Celia retire. yaq. I thank you for your company; but. good faith, I had as lief have been myself alone. Orl. And so had I; but yet, for fashion' sake, I thank you too for your society. [can, Jaq. God be wi' you, let s meet as little as we Orl. I do desire we may be better strangers. Jaq. I pray you, mar no more trees with writing love-songs in their barks. Orl. I pray you mar no more of my verses with reading them ilf-favouredly. Jaq. Rosalind is your love's name? Orl. Yes, just. Jaq. I do not like her name. Orl. There was no thought of pleasing you whett she was christened. /. What stature is she of? . Just as high as my heart |