Before reading: narrative conventions and the politics of interpretation |
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Pagina 59
The concentrating quality of a detail in a privileged position can be demonstrated
by looking at Anna Karenina. The novel has a large cast of characters — so large
that we might hardly notice Anna's arrival were the novel not named for her.
The concentrating quality of a detail in a privileged position can be demonstrated
by looking at Anna Karenina. The novel has a large cast of characters — so large
that we might hardly notice Anna's arrival were the novel not named for her.
Pagina 60
"All happy families resemble one another, but each unhappy family is unhappy in
its own way"31 — so begins Anna Karenina, and from the beginning, the
authorial audience is encouraged to pay more attention to family life than, say, ...
"All happy families resemble one another, but each unhappy family is unhappy in
its own way"31 — so begins Anna Karenina, and from the beginning, the
authorial audience is encouraged to pay more attention to family life than, say, ...
Pagina 160
The stories of Anna Karenina and Levin, in contrast, serve as exemplifications of
the opposite trajectories that lives can follow. Interpretive disagreement can often
stem from the application of this rule — not only from dispute over whether the ...
The stories of Anna Karenina and Levin, in contrast, serve as exemplifications of
the opposite trajectories that lives can follow. Interpretive disagreement can often
stem from the application of this rule — not only from dispute over whether the ...
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Sommario
Beyond ReadingsBefore Reading | 1 |
Starting Points | 15 |
Rules of Notice | 47 |
Copyright | |
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Before Reading: Narrative Conventions and the Politics of Interpretation Peter J. Rabinowitz Visualizzazione frammento - 1987 |
Before reading: narrative conventions and the politics of interpretation Peter J. Rabinowitz Visualizzazione frammento - 1987 |
Parole e frasi comuni
actual readers aesthetic American Anna Karenina appears appropriate argue assume assumptions author intended authorial audience authorial reading Barthes begin believe Big Sleep Booth Brooks calls canon chap chapter character claim Cleanth Brooks closure context conventions course critics Culler culture detective story discussion Dostoyevsky Edna expect experience fact fiction Fyodor Dostoyevsky Gatsby genre Glass Key ideological Idiot important instance interpretation Judith Fetterley kind least literary literature Madame Bovary Margaret Ayer Barnes Marlowe meaning metaphor misreading murder Mystery narrative audience narrator novel particular pattern perspective plot political popular puts Raymond Chandler realism reason Rhetoric Roland Barthes Romance rules of coherence rules of configuration rules of notice rules of signification sense sentence Similarly simply social specific strategies stress structure surprise tell textual Theory things tion traditional trans understanding Vladimir Nabokov Wayne Booth woman words writing York