Before reading: narrative conventions and the politics of interpretation |
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Pagina 43
And they are, from the other end, what readers implicitly call upon when they
argue for or against a particular paraphrase of a text. The rules, in other words,
serve as a kind of assumed contract between author and reader — they specify
the ...
And they are, from the other end, what readers implicitly call upon when they
argue for or against a particular paraphrase of a text. The rules, in other words,
serve as a kind of assumed contract between author and reader — they specify
the ...
Pagina 183
My aim here is not to argue for one or another interpretation of the text. Rather,
my point is that the experience of reading the novel depends radically on the
reader's starting point. It is not simply a matter of whether the reader has some
arcane ...
My aim here is not to argue for one or another interpretation of the text. Rather,
my point is that the experience of reading the novel depends radically on the
reader's starting point. It is not simply a matter of whether the reader has some
arcane ...
Pagina 212
he argues, value is a matter of the "degree to which the work lends itself to" the "
kind of treatment" New Critical theory demands.2 This, I would argue, is one of
the major ways in which the academy makes its evaluations.3 Canonization is, ...
he argues, value is a matter of the "degree to which the work lends itself to" the "
kind of treatment" New Critical theory demands.2 This, I would argue, is one of
the major ways in which the academy makes its evaluations.3 Canonization is, ...
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Sommario
Beyond ReadingsBefore Reading | 1 |
Starting Points | 15 |
Rules of Notice | 47 |
Copyright | |
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Before Reading: Narrative Conventions and the Politics of Interpretation Peter J. Rabinowitz Visualizzazione frammento - 1987 |
Before reading: narrative conventions and the politics of interpretation Peter J. Rabinowitz Visualizzazione frammento - 1987 |
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actual readers aesthetic American Anna Karenina appears appropriate argue assume assumptions author intended authorial audience authorial reading Barthes begin believe Big Sleep Booth Brooks calls canon chap chapter character claim Cleanth Brooks closure context conventions course critics Culler culture detective story discussion Dostoyevsky Edna expect experience fact fiction Fyodor Dostoyevsky Gatsby genre Glass Key ideological Idiot important instance interpretation Judith Fetterley kind least literary literature Madame Bovary Margaret Ayer Barnes Marlowe meaning metaphor misreading murder Mystery narrative audience narrator novel particular pattern perspective plot political popular puts Raymond Chandler realism reason Rhetoric Roland Barthes Romance rules of coherence rules of configuration rules of notice rules of signification sense sentence Similarly simply social specific strategies stress structure surprise tell textual Theory things tion traditional trans understanding Vladimir Nabokov Wayne Booth woman words writing York