Before reading: narrative conventions and the politics of interpretation |
Dall'interno del libro
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Pagina 45
See also Ronald Dworkin's rather more extravagant claim that "an interpretation
of a piece of literature attempts to show which way of reading (or speaking or
directing or acting) the text reveals it as the best work of art. Different theories or ...
See also Ronald Dworkin's rather more extravagant claim that "an interpretation
of a piece of literature attempts to show which way of reading (or speaking or
directing or acting) the text reveals it as the best work of art. Different theories or ...
Pagina 229
Of course, we make a great show of our belief that the point of literature is to get
us out of ourselves and to learn new experiences. And there is no doubt that
many canonized novels do confront difficult issues in ways that can hardly be ...
Of course, we make a great show of our belief that the point of literature is to get
us out of ourselves and to learn new experiences. And there is no doubt that
many canonized novels do confront difficult issues in ways that can hardly be ...
Pagina 239
Texas Studies in Literature and Language 22 (Summer 1980): 224-45. Radway,
Janice. Reading the Romance: Women, Patriarchy, and Popular Literature.
Chapel Hill: University of North Carolina Press, 1984. Riffaterre, Michael. "
Describing ...
Texas Studies in Literature and Language 22 (Summer 1980): 224-45. Radway,
Janice. Reading the Romance: Women, Patriarchy, and Popular Literature.
Chapel Hill: University of North Carolina Press, 1984. Riffaterre, Michael. "
Describing ...
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Sommario
Beyond ReadingsBefore Reading | 1 |
Starting Points | 15 |
Rules of Notice | 47 |
Copyright | |
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Before Reading: Narrative Conventions and the Politics of Interpretation Peter J. Rabinowitz Visualizzazione frammento - 1987 |
Before reading: narrative conventions and the politics of interpretation Peter J. Rabinowitz Visualizzazione frammento - 1987 |
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actual readers aesthetic American Anna Karenina appears appropriate argue assume assumptions author intended authorial audience authorial reading Barthes begin believe Big Sleep Booth Brooks calls canon chap chapter character claim Cleanth Brooks closure context conventions course critics Culler culture detective story discussion Dostoyevsky Edna expect experience fact fiction Fyodor Dostoyevsky Gatsby genre Glass Key ideological Idiot important instance interpretation Judith Fetterley kind least literary literature Madame Bovary Margaret Ayer Barnes Marlowe meaning metaphor misreading murder Mystery narrative audience narrator novel particular pattern perspective plot political popular puts Raymond Chandler realism reason Rhetoric Roland Barthes Romance rules of coherence rules of configuration rules of notice rules of signification sense sentence Similarly simply social specific strategies stress structure surprise tell textual Theory things tion traditional trans understanding Vladimir Nabokov Wayne Booth woman words writing York