Before reading: narrative conventions and the politics of interpretation |
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Pagina 27
The notion of reading as authorial audience is closer to what Steven Mailloux
calls "textual realism" (the belief that ... not found," since "textual facts are never
prior to or independent of the hermeneutic activity of readers and critics").29 True,
...
The notion of reading as authorial audience is closer to what Steven Mailloux
calls "textual realism" (the belief that ... not found," since "textual facts are never
prior to or independent of the hermeneutic activity of readers and critics").29 True,
...
Pagina 45
It means only that in literary works . . . the range of deviations which will be
construed as intentional is much larger" than in "many other speech contexts."59
From this follow more specific rules that deal with textual disjunctures, permitting
us to ...
It means only that in literary works . . . the range of deviations which will be
construed as intentional is much larger" than in "many other speech contexts."59
From this follow more specific rules that deal with textual disjunctures, permitting
us to ...
Pagina 224
Rather, in the frequent arbitrariness of its conclusion, the abolitionist novel
proposed that the conditions for formal completeness and closure were dictated
by extratextual as well as textual considerations."38 37. Carringer, "Citizen Kane,
" 311.
Rather, in the frequent arbitrariness of its conclusion, the abolitionist novel
proposed that the conditions for formal completeness and closure were dictated
by extratextual as well as textual considerations."38 37. Carringer, "Citizen Kane,
" 311.
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Sommario
Beyond ReadingsBefore Reading | 1 |
Starting Points | 15 |
Rules of Notice | 47 |
Copyright | |
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Before Reading: Narrative Conventions and the Politics of Interpretation Peter J. Rabinowitz Visualizzazione frammento - 1987 |
Before reading: narrative conventions and the politics of interpretation Peter J. Rabinowitz Visualizzazione frammento - 1987 |
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actual readers aesthetic American Anna Karenina appears appropriate argue assume assumptions author intended authorial audience authorial reading Barthes begin believe Big Sleep Booth Brooks calls canon chap chapter character claim Cleanth Brooks closure context conventions course critics Culler culture detective story discussion Dostoyevsky Edna expect experience fact fiction Fyodor Dostoyevsky Gatsby genre Glass Key ideological Idiot important instance interpretation Judith Fetterley kind least literary literature Madame Bovary Margaret Ayer Barnes Marlowe meaning metaphor misreading murder Mystery narrative audience narrator novel particular pattern perspective plot political popular puts Raymond Chandler realism reason Rhetoric Roland Barthes Romance rules of coherence rules of configuration rules of notice rules of signification sense sentence Similarly simply social specific strategies stress structure surprise tell textual Theory things tion traditional trans understanding Vladimir Nabokov Wayne Booth woman words writing York