The Art of John Gardner: Instruction and ExplorationSUNY Press, 1 gen 1992 - 221 pagine |
Dall'interno del libro
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Pagina 3
... readers , to imbue these truths with new vitality . This is not to say that Gardner's themes lack significance . However , when the ideational thrust of his works is restated in nonfictional terms , we find that they , to use Gardner's ...
... readers , to imbue these truths with new vitality . This is not to say that Gardner's themes lack significance . However , when the ideational thrust of his works is restated in nonfictional terms , we find that they , to use Gardner's ...
Pagina 4
... readers : a voice which is distinctly his own . The main focus of my study , therefore , will be on some important defining characteristics of that voice . My emphasis on Gardner's voice , the actual manifestations of his compositional ...
... readers : a voice which is distinctly his own . The main focus of my study , therefore , will be on some important defining characteristics of that voice . My emphasis on Gardner's voice , the actual manifestations of his compositional ...
Pagina 5
... readers are likely to respond superficially to his views and , possibly , his art . They will then fail to discover that Gardner's theoretical platform is a far less ramshackle construction than the rambunctious On Moral Fiction may at ...
... readers are likely to respond superficially to his views and , possibly , his art . They will then fail to discover that Gardner's theoretical platform is a far less ramshackle construction than the rambunctious On Moral Fiction may at ...
Pagina 6
... readers . Exploration , a much more palatable concept to twentieth - century students of literature , generally presupposes absence of preconceived opinion , and it may seem odd that the twain should be thus joined through the ...
... readers . Exploration , a much more palatable concept to twentieth - century students of literature , generally presupposes absence of preconceived opinion , and it may seem odd that the twain should be thus joined through the ...
Pagina 11
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aesthetic Agathon allusions argues artistic beauty Beowulf Blanshard Boethius borrowed Brand Blanshard calls chapter characters Chaucer civilization Clumly Coleridge collage technique Collingwood concept context Croce death dialectical dragon emotion epistemological experience exploration expression fact fallibility feels Flint Freddy's Book Gard Gardner says Gardner's fiction Gawain-poet Grendel Hrothgar Hrothgar's human ideal ideas ideational important intuitions Ishmael Jason and Medeia Jerusalem John Gardner Jonathan King's Indian Lars-Goren Le Morte Darthur literary literature man's meaning meaningless medieval Melville metafictional metaphysical Mickelsson's Ghosts mind Miranda Moby-Dick Moral Fiction narrative narrator nature ner's Nickel Mountain novel novella October Light pastoral philosophical Poe's poem poet Poetry of Chaucer possible Pym's rational morality reader reality reason scene sense Shaper spiritual story Sunlight Dialogues symbolic tale thematic theory things tion tradition truth Unferth universe VanSpanckeren vision Vlemk Wilkins Winther writer yarn