Art as ExperienceMinton, Balch, 1934 - 353 pagine |
Dall'interno del libro
Risultati 1-3 di 64
Pagina 86
... picture . Words cannot duplicate the expressiveness of the object . But words can point out that the picture is not " repre- sentative " of just a particular bridge over the Rhone River , nor yet of a broken heart , not even of Van ...
... picture . Words cannot duplicate the expressiveness of the object . But words can point out that the picture is not " repre- sentative " of just a particular bridge over the Rhone River , nor yet of a broken heart , not even of Van ...
Pagina 112
John Dewey. audience by showing a cubistic picture and asking the audience to guess what it was about . He then told them its title as if that were either its subject - matter or its substance . The artist had labeled his picture for ...
John Dewey. audience by showing a cubistic picture and asking the audience to guess what it was about . He then told them its title as if that were either its subject - matter or its substance . The artist had labeled his picture for ...
Pagina 113
... picture - gallery who remarks as he moves along , " This picture is so like my cousin , " or that picture " the image of my birthplace , " and who , after satisfying himself that one painting is about Elijah , passes on rejoicing to ...
... picture - gallery who remarks as he moves along , " This picture is so like my cousin , " or that picture " the image of my birthplace , " and who , after satisfying himself that one painting is about Elijah , passes on rejoicing to ...
Sommario
THE LIVE CREATURE | 3 |
THE LIVE CREATURE AND ETHERIAL THINGS | 20 |
HAVING AN EXPERIENCE | 35 |
Copyright | |
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Parole e frasi comuni
action activity architecture Aristotle artist beauty become belongs building Byzantine art Cézanne color common compartmentalized psychology complete conception connection consciousness constitute criticism defined definite direct distinction drama effect EL GRECO elements emotion ence energy environment esthetic education esthetic experience esthetic quality esthetic theory existence experienced external fact factors feeling forces fulfillment Henri Matisse human idea imaginative immediate impressionist impulse individual integral intellectual intense interaction intrinsic isolated judgment lines literature live creature manifestation material matter means medium ment merely mind mode moral movement nature object operates organism painter painting Parthenon particular perceived perception phase philosophic physical picture Plato poem poetry Preface to Morals present purpose relations result rhythm scene sculpture sense sensuous separation significant subject-matter substance term of disparagement things thought tion Titian tradition uncon undergoing unity values vidual vision whole words