The Ends of AllegoryUniversity of Delaware Press, 1998 - 190 pagine This book proposes that allegory is not a species of literature but a structure of reading applied to uncomfortable juxtapositions within literary texts. Examples from centuries of response to English Renaissance narrative poetry show not what poems mean but how they may be read and what cultural conditions encourage allegorical or nonallegorical readings. The study also encompasses interpretations of classical verse, biblical parable, Jacobean masque, modern lyric, and television advertising to explore how texts move in and out of the category of allegory. |
Sommario
23 | |
Defining Allegory As Rhetoric Literary Text and Reading | 48 |
The Untidiness of Allegory A Sick Rose and Chocolate Shrimps | 66 |
Allegory to the Rescue Saving Venus and Adonis from Themselves | 86 |
Radical Allegory Parables and Politics | 111 |
Allegory and the Hearts Desire Remolding the Hippopotamus | 133 |
Notes | 159 |
Bibliography | 177 |
Index | 187 |
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allegoresis allegorical interpretation allegorical reading allegorical text allegory allegory's Animal Farm become behavior Blake's Bunyan caterpillar chapter commentary complex concepts conservatism conservative context contiguity court create critics cultural deconstructive diagram disjunction disruptive dragon Dyke edited Edmond Malone Edmund Spenser elements examples exemplative fiction exemplative reading Faerie Leveller Faerie Queene figures fracture Garden of Adonis genre Greenblatt Historicism Historicist Homer human Ibid ideology instance Jean Seznec John Lewalski literary allegory literary text literature London Lucifera's meaning metaphor and metonymy metaphoric parallels metaphoric structure metonymic metonymic connections metonymic extensions mode moral Murrin narrative nonallegorical Orlando Furioso Oxford parable pattern Piers Plowman Pilgrim's Progress political potential Princeton University Press Psychomachia Quilligan radical ideas read allegorically reader relationship Renaissance rhetorical seems sense sexual Shakespeare Sick Rose signified similar social structure of allegory subversive suggests Talbot Donaldson Talus Teskey textual thinking tradition understanding Venus and Adonis worm
Brani popolari
Pagina 6 - Ah Love! could you and I with Him conspire To grasp this sorry Scheme of Things entire, Would not we shatter it to bits — and then Re-mould it nearer to the Heart's Desire...
Pagina 61 - The development of a discourse may take place along two different semantic lines : one topic may lead to another either through their similarity or through their contiguity. The metaphoric way would be the most appropriate term for the first case and the metonymic way for the second, since they find their most condensed expression in metaphor and metonymy respectively.
Pagina 59 - Wee, sleekit, cowrin, tim'rous beastie, O, what a panic's in thy breastie! Thou need na start awa sae hasty, Wi
Pagina 59 - I'm truly sorry man's dominion. Has broken nature's social union, An' justifies that ill opinion, Which makes thee startle At me, thy poor earth-born companion, An...
Pagina 90 - The younger sort takes much delight in Shakespeares Venus, & Adonis: but his Lucrece, & his tragedie of Hamlet, Prince of Denmarke, haue it in them, to please the wiser sort.
Pagina 66 - The Sick Rose O rose, thou art sick; The invisible worm That flies in the night, In the howling storm, Has found out thy bed Of crimson joy, And his dark secret love Does thy life destroy.
Pagina 139 - Flesh and blood is weak and frail, Susceptible to nervous shock; While the True Church can never fail For it is based upon a rock. The hippo's feeble steps may err In compassing material ends, While the True Church need never stir To gather in its dividends.
Pagina 92 - Shakespeare has here represented the animal impulse itself so as to preclude all sympathy with it, by dissipating the reader's notice among the thousand outward images, and now beautiful, now fanciful circumstances, which form its dresses and its scenery, or by diverting our attention from the main subject by those frequent witty or profound reflections which the poet's ever active mind has deduced from, or connected with, the imagery and the incidents.
Pagina 23 - The generall end therefore of all the booke is to fashion a gentleman or noble person in vertuous and gentle discipline...