New England Music: The Public Sphere, 1600-1900, Volume 21Boston University, 1998 - 208 pagine |
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Pagina 23
... English country dance , arranged for " as many couples as will " standing in lines , partner facing partner . The figures of over 25,000 dances were published with their music in English books between 1700 and 1830 , and many more in ...
... English country dance , arranged for " as many couples as will " standing in lines , partner facing partner . The figures of over 25,000 dances were published with their music in English books between 1700 and 1830 , and many more in ...
Pagina 31
... English Theatre Music in the Eighteenth Century , p . 83 . cuted three hundred paces while advancing only ten yards , 3 and by the " snap rhythm " of the tunes that accompanied his entrances and solos.1 At least one comic tune ...
... English Theatre Music in the Eighteenth Century , p . 83 . cuted three hundred paces while advancing only ten yards , 3 and by the " snap rhythm " of the tunes that accompanied his entrances and solos.1 At least one comic tune ...
Pagina 36
... English pri- mary sources to reconstruct American variants of these productions . Music historian Ann Dhu Shapiro has recently shown that Holt's 1739 pre- sentation of the Adventures of Harlequin and Scaramouche was probably derived ...
... English pri- mary sources to reconstruct American variants of these productions . Music historian Ann Dhu Shapiro has recently shown that Holt's 1739 pre- sentation of the Adventures of Harlequin and Scaramouche was probably derived ...
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New England Music: The Public Sphere, 1600-1900 Peter Benes,Jane Montague Benes Anteprima non disponibile - 1998 |
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