New England Music: The Public Sphere, 1600-1900, Volume 21Boston University, 1998 - 208 pagine |
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Pagina 31
... Example 1. Music for " The Birth of Harlequin " attributed to Johann Ernst Galliard first published 1732. From Fiske , English Theatre Music in the Eighteenth Century , p . 83 . cuted three hundred paces while advancing only ten yards ...
... Example 1. Music for " The Birth of Harlequin " attributed to Johann Ernst Galliard first published 1732. From Fiske , English Theatre Music in the Eighteenth Century , p . 83 . cuted three hundred paces while advancing only ten yards ...
Pagina 32
... ( Example 3 ) ; those that accompanied the part- ing of lovers followed a " sorrow convention " ( Example 4 ) .10 London variants of Italian pantomime characters were initially brought to English - speaking North America by itinerant ...
... ( Example 3 ) ; those that accompanied the part- ing of lovers followed a " sorrow convention " ( Example 4 ) .10 London variants of Italian pantomime characters were initially brought to English - speaking North America by itinerant ...
Pagina 154
... Example 4 was introduced into the army shortly after the Civil War . But there was more to music in the military than the company fifers and drummers . Louis XIV of France authorized three oboes and five drums to each of his companies ...
... Example 4 was introduced into the army shortly after the Civil War . But there was more to music in the military than the company fifers and drummers . Louis XIV of France authorized three oboes and five drums to each of his companies ...
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New England Music: The Public Sphere, 1600-1900 Peter Benes,Jane Montague Benes Anteprima non disponibile - 1998 |
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