New England Music: The Public Sphere, 1600-1900, Volume 21Boston University, 1998 - 208 pagine |
Dall'interno del libro
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Pagina 34
... Later , as panto- mimes grew in popularity both before and after the Revolution , ar- rangements such as Harlequin Restored and Harlequin Collector , and Harlequin Statue , all of them mechanical , acrobatic , and musical in char- acter ...
... Later , as panto- mimes grew in popularity both before and after the Revolution , ar- rangements such as Harlequin Restored and Harlequin Collector , and Harlequin Statue , all of them mechanical , acrobatic , and musical in char- acter ...
Pagina 88
... Later , both Filippo Trajetta and Francis Mallet , partners with the prominent Boston musical entrepreneur Gottlieb Graupner , joined the fraternity in 1801 while trying to keep afloat the city's first professional instructional ...
... Later , both Filippo Trajetta and Francis Mallet , partners with the prominent Boston musical entrepreneur Gottlieb Graupner , joined the fraternity in 1801 while trying to keep afloat the city's first professional instructional ...
Pagina 89
... later.2 26 Links with allied artists such as the silversmith and engraver Revere may have been just as important as ties to other musicians . Masonry attracted many printers and theater people , two groups closely related to musical ...
... later.2 26 Links with allied artists such as the silversmith and engraver Revere may have been just as important as ties to other musicians . Masonry attracted many printers and theater people , two groups closely related to musical ...
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New England Music: The Public Sphere, 1600-1900 Peter Benes,Jane Montague Benes Anteprima non disponibile - 1998 |
Parole e frasi comuni
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