New England Music: The Public Sphere, 1600-1900, Volume 21Boston University, 1998 - 208 pagine |
Dall'interno del libro
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Pagina 22
... moving with four steps in six beats , two dancers move in unison on a sym- metrical track using the entire dance space . Honors to partner and the company open and close the dance . The remainder of the dance consists of parallel passes ...
... moving with four steps in six beats , two dancers move in unison on a sym- metrical track using the entire dance space . Honors to partner and the company open and close the dance . The remainder of the dance consists of parallel passes ...
Pagina 81
... moving beyond the traditional boundaries of music history , the socio- logical concept of an " art world " becomes particularly useful . Art , some scholars argue , is a social practice , dependent upon what Howard Becker calls " an ...
... moving beyond the traditional boundaries of music history , the socio- logical concept of an " art world " becomes particularly useful . Art , some scholars argue , is a social practice , dependent upon what Howard Becker calls " an ...
Pagina 90
... moving to Boston in the late 1790s.32 Masonic brother James Hewitt , New York's leading conductor ( as well as von Hagen's early rival ) before moving on to indifferent success in Boston , seems never to have affiliated with a city ...
... moving to Boston in the late 1790s.32 Masonic brother James Hewitt , New York's leading conductor ( as well as von Hagen's early rival ) before moving on to indifferent success in Boston , seems never to have affiliated with a city ...
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New England Music: The Public Sphere, 1600-1900 Peter Benes,Jane Montague Benes Anteprima non disponibile - 1998 |
Parole e frasi comuni
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