New England Music: The Public Sphere, 1600-1900, Volume 21Boston University, 1998 - 208 pagine |
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Pagina 30
... pantomime in England , see Clive G. Chapman , " English Pantomime and Its Music , 1700-1730 ′′ ( Ph.D. diss . , University of London , 1981 [ 2 volume typescript with transcriptions and appendixes at Loeb Music Library , Harvard ...
... pantomime in England , see Clive G. Chapman , " English Pantomime and Its Music , 1700-1730 ′′ ( Ph.D. diss . , University of London , 1981 [ 2 volume typescript with transcriptions and appendixes at Loeb Music Library , Harvard ...
Pagina 44
... pantomime continued its creative growth.47 Retrospective pantomime pastiches were introduced in Boston and Providence in 1808 and thereafter dominated the genre . Har- lequin's Choice , a two - part grand pantomime presented in Boston ...
... pantomime continued its creative growth.47 Retrospective pantomime pastiches were introduced in Boston and Providence in 1808 and thereafter dominated the genre . Har- lequin's Choice , a two - part grand pantomime presented in Boston ...
Pagina 45
... pantomime was being put under considerable strain to serve the cause of Federalist and Republican America . All of these shifts were underscored by the emergence of John Worrall as the leading pantomime arranger and player in New ...
... pantomime was being put under considerable strain to serve the cause of Federalist and Republican America . All of these shifts were underscored by the emergence of John Worrall as the leading pantomime arranger and player in New ...
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New England Music: The Public Sphere, 1600-1900 Peter Benes,Jane Montague Benes Anteprima non disponibile - 1998 |
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