Paul Marc Joseph Chenavard: Artist of 1848University of North Carolina Press, 1962 - 214 pagine This book is an account of the striking parallelism between the symbolic significance of the Pantheon and the life and thought of Paul Chenavard. More broadly, it illuminates the relationship of every artist to his environment. Chenavard was the only painter to attempt a complete exemplification of the epic idea that is found in the writings of such men as Hugo, Ballanche, and Quinet. Originally published in 1962. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value. |
Sommario
Preface vii | 3 |
The Pantheon | 24 |
The Shrine of Great Men | 40 |
Copyright | |
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Alfred de Musset apparently architecture Armbruster artist Ballanche believed Bibliothèque building Calvet cartoons century Charles Baudelaire Charles Blanc Chena Christ Christian church concept Courbet Crépet critic cult death decoration Delacroix designs Divine Tragedy dome Edgar Quinet Édouard Aynard Egypt epic fact faith feeling figure final France Gautier Giambattista Vico heroes human ideas individual intellectual interest L'Art L'Artiste Laprade later Ledru-Rollin letter living Louis Louis XV Lyon Lyonnais Maillou Mariéton Michelet mind Mme Jaubert modern monument moral mosaic murals Musée des Beaux-Arts Musset Napoleon nature never Oeuvres complètes Orpheus painter painting Palingenesis panels Pantheon Paris Paul Chenavard philosophy picture Pierre-Simon Ballanche poet Quinet religion religious Revolution Rome Saint Genevieve Salon scenes scheme Silvestre sketch Social Palingenesis society sort Soulary Souvenirs symbol temple thought tion Vial Vico Victor de Laprade walls whole Zoroaster