195. [BEAUMONT (FRANCIS) AND FLETCHER (JOHN).] Wit without Mony, a Comedy, (With Alterations and Amendments, by some Persons of Quality.) As it is now Acted at the Queen's Theatre In the Hay-Market. By Her Majesty's Company of Comedians. Small 4to, green levant morocco, gilt edges, by Zaehnsdorf. London: Printed for, and are to be Sold by Rich. Parker, n. d. * This edition is not mentioned by Greg. It is probably the third. 196. [BECKFORD (WILLIAM).] Biographical Memoirs of Extraordinary Painters. FIRST EDITION. 8vo, brown levant morocco, broad interlaced panels on sides, gilt top, uncut, by The Club Bindery. London: J. Robson, 1780 197. [BECKFORD (WILLIAM).] An Arabian Tale, [Vathek] from an unpublished manuscript: with Notes Critical and Explanatory. 8vo, citron levant morocco, gilt edges, by Holloway. London: For J. Johnson, 1786 * FIRST ENGLISH EDITION. LARGE PAPER COPY. Portraits and two plates inserted, all proofs. The translation and notes were by the Rev. S. Henley. 198. BELCHER (SIR EDWARD). The Last of the Arctic Voyages: being a narrative of the Expedition in H. M. S. Assistance, under the command of Captain Sir Edward Belcher, C. B., in search of Sir John Franklin, during the years 1852-53-54. Four charts, 36 plates, many of them colored, and 25 wood engravings. 2 vols. royal 8vo, half red morocco gilt, gilt tops, uncut. London, 1855 199. BELL (SIR CHARLES). The Anatomy and Philosophy of Expression as connected by the Fine Arts. Third edition, enlarged. With 45 engravings by Scriven, after designs by the author. Royal 8vo, half blue levant morocco, gilt top, uncut, by Bedford. London, 1844 200. BELLIER DE LA CHAVIGNERIE (ÉMILE). Dictionnaire Général des Artistes de l'École Française depuis l'origine des arts du dessin jusqu'a nos jours. Architects, Peintres, Sculpteurs, Graveurs et Lithographes. Ouvrage continué par Louis Auvray. 3 vols royal 8vo, half brown levant morocco, gilt tops, uncut, original covers bound in, by Rousselle. Paris: Renouard, 1873 201. BENSSERADE (ISAAC DE). Œuvres. Frontispiece engraved by Le Doyen. 2 vols. 12mo, red levant morocco, gilt edges, by Trautz-Bauzonnet. Paris, 1697 202. BENTLEY BALLADS. The Bentley Ballads, comprising the Tipperary Hall Ballads, now first re-published from "Bentley's Miscellany" (1846). With preface and notes biographical and critical by John Sheehan. An entirely new edition. 12mo, half red levant morocco, gilt top, uncut, by Pratt. London, 1869 203. BÉQUET (ÉTIENNE). Marie ou le mouchoir bleu par Étienne Béquet. Notice littéraire par Adolphe Racot. Six compositions par de Sta. Gravées par Abot. 12mo, half blue levant morocco, gilt top, uncut, original covers bound in, by Canapé. Paris, 1884 * One of 200 copies on large "vellum paper," with the plates in three states. 204. BERALDI (HENRI). 1865-1885 Bibliothèque d'un Bibliophile. [Eugène Paillet.] 12mo, light brown morocco, gilt, rich side borders of roses, scrolls and small tools, doublure of light brown morocco, covered with pointillé and floral tooling in compartments with mosaic inlays of blue, red, and green morocco, blue moiré silk linings, gilt over uncut edges, original covers bound in, by Lortic fils. In a blue levant morocco case. Lille, 1885 * One of a small edition on Holland paper, with inserted portrait of Eugène Paillet, etched by E. Abot, in three states. This book is an annotated catalogue of the first collection of M. Paillet, sold in 1886. 205. BERALDI (HENRI). Estampes et Livres, 18721892. Portrait frontispiece and vignette, and 40 plates of bookbindings, many in gold and colors. Royal 8vo, red levant morocco, gilt top, uncut, by Smith-Mansell. * One of 390 numbered copies. Paris, 1892 206. BERALDI (HENRI). Voyage d'un Livre a travers la Bibliothèque Nationale. With 10 woodcut illustrations. 4to, half blue cloth, uncut. Paris, 1893 *One of 95 copies on Whatman paper. 207. BERALDI (HENRI). La Reliure au XIXe siècle. With numerous facsimile illustrations in black and colors. 4 vols. 4to, red levant morocco gilt, gilt tops, uncut, by The Club Bindery. Paris: L. Conquet, 1895 DE). Chansons *One of 295 copies on papier vélin. 208. BÉRANGER (PIERRE JEAN morales et autres. With engraved title, frontispiece and some pages of music. FIRST EDITION. calf, gilt edges, by Thouvenin. 12mo, old brown Paris, 1816 *First Edition of the First Poems of Béranger, with the half-title. The engraved title for this was made too large for the volume and in nearly all the few known copies the binder has cut into the top of the engraving or removed the date. In this copy the "M" of Morales" is slightly shaved, but the date is intact and has a blank space below. Extremely rare. 209. BÉRANGER (PIERRE JEAN DE). Chansons: Chansons Nouvelles et Dernières. Portrait, 104 vignette plates, India proofs, after designs of Alfred, Johannot, Charlet and others, also 44 colored illustrations by Monnier. 3 vols. 8vo, half blue morocco, uncut. Paris: Perottin, 1828-33 * Presentation inscription by Béranger. Bound from the original numbers with covers preserved. Both are First Editions and very rare. 210. BÉRANGER (PIERRE JEAN DE). Dernières Chansons de 1834 a 1851, avec une préface de l'auteur. Illustrées de 14 dessins de A. de Lemud, gravés sur acier par MM. Balin, Brunet, Colin, Darodes, &c. 8vo, half green levant morocco gilt, gilt top, uncut. Paris, 1860 211. BÉRANGER (PIERRE JEAN DE). Musique des Chansons de Béranger. Airs Notés Anciens et Modernes. Neuvième édition, revue par Frédéric Bérat. Augmentée de la Musique des Chansons Posthumes, d'airs composés par Béranger, Halévy, Gounod et Laurent de Rillé, avec deux tables, l'une alphabétique, l'autre historique, des 450 airs du recueil. Portrait and 117, woodcuts by Grandville, etc., proofs after letters, on India paper. 8vo, half green levant morocco gilt, gilt top, uncut. Paris, 1865 * Holland paper copy. 212. BÉRANGER (PIERRE JEAN DE). Euvres anciennes 53 engravings after Charlet, Lemeux, Johannot and others. 2 vols. thick Evo, red levant morocco gilt, gilt edges, by David. Paris, 1865 Extra illustrated by the insertion of *Holland paper copy. a portrait of Béranger and 41 colored illustrations. 213. BÉRARD. L'Art du Chant, dedié a Madame de Pompadour. One plate and 34 pages of music. 8vo, old red morocco, gilt, the arms of the Marquise de Montesson, wife of Louis Philippe d'Orléans, on the sides, gilt edges. Paris, 1755 * Large paper copy. 214. BERGER DE XIVREY (JULES). Recherches sur les sources antiques de la littérature française. Royal 8vo, half red morocco, gilt top, uncut, by Niédrée. Paris, 1829 * Large Holland paper copy. 215. BERNARD (PIERRE JOSEPH). L'Art d'Aimer et poésies. Portrait by Delvaux, after Nattier, and seven plates after P. Martini and Eisen. 8vo, blue levant morocco, gilt, mosaic panels, red moiré silk linings, with gilt borders, gilt over rough edges, by The Club Bindery. Paris: Didot Jeune [1795] *Some of the plates are in two states, proofs before and after letters. 216. BERNARD (PIERRE JOSEPH). L'Art d'Aimer de M. Bernard. 12mo, boards, leather back, uncut. Parme: Bodoni, MDCCIIC [1798] 217. BERNARD (PIERRE JOSEPH). Euvres choisies de Bernard. 12mo, green vellum. A Paris, 1811 * Printed on vellum. The Syston Park copy. 218. BERNERS (DAME JULIANA). The Treatyse of Fysshynge wyth an Angle. Reprinted from the Book of St. Albans. Frontispiece and plates. 12mo, morocco back and boards. London: Wm. Pickering, 1827 219. BERNERS (DAME JULIANA). The Boke of Saint Albans. With an Introduction by William Blades. Facsimile reproduction. 4to, stamped vellum. London, 1881 220. BEROALDE DE VERVILLE (FRANÇOIS). Le Moyen de Parvenir. With numerous vignette-illustrations. 2 vols. 12mo, original wrappers, uncut. Paris: L. Willem, 1870 221. BERQUIN (ARNAUD). Idylles. FIRST EDITION. Engraved title and other plates after designs of Marillier, engraved by Delaunay, Ponce, Ghendt, and others, all proofs before letters. 12mo, old red morocco gilt, gilt edges. Paris [1874-75] * Large paper copy. Bound with Berquin's "Romances," which lacks several plates and the music score. 222. BERTALL. La Vie hors de chez Soi. Études au crayon et a la plume par Bertall. FIRST EDITION. 4to, half blue levant morocco, uncut, original covers bound in. *From the collection of Ch. Bouret. Paris: E. Plon, 1876 223. BERTALL. La Vigne, voyage autour des vins de France. With numerous woodcut illustrations after Bertall. FIRST EDITION. 4to, half blue levant morocco, uncut, original covers bound in. Paris: E. Plon, 1878 * From the collection of Ch. Bouret. 224. BERTAUT (JEAN). Recueil des ŒŒuvres Poetiques. FIRST EDITION. Small 8vo, red levant morocco gilt, gilt edges, by Bauzonnet-Trautz. Paris: Mamert Patisson, 1601 225. BERTAUT (JEAN). Les Evvres poetiqves de Mr Bertavt, Evesqve de Sees, Abbé d'Aunay, premier Aumosnier de la Royne. Dernière edition. Augmentées de plus de moitié outre les precedentes Impressions. 12mo, red levant morocco gilt, gilt edges, by Chambolle-Duru. A Paris: Chez Toussainct du Bray, 1620 226. BETSON (THOMAS). A ryght profytable treatyse compendiously drawen out of many and dyvers wrytynges of holy Men. Facsimile reproduction of the original printed in Caxton's house by Wynkyn de Worde, about 1500. Royal Svo, half vellum. One of 250 copies. Cambridge, 1905 227. [BEVERLEY (ROBERT).] The History and Present State of Virginia, In Four Parts. I. The History of the First Settlement of Virginia, and the Government thereof, to the present time. II. The Natural Productions of Conveniences of the Country, suited to Trade and Improvement. III. The Native Indians, their Religion, Laws, and Customs, in War and Peace. IV. The present State of the Country, as to the Polity of the Government, and the Improvements of the Land. Frontispiece: and 14 plates by Gribelin. (Margin of one plate slightly torn.) FIRST EDITION. 8vo, brown morocco, side borders, gilt edges, by The Club Bindery. London: R. Parker, 1705 228. BEWICK (THOMAS). A General History of Quadrupeds. The figures engraved on wood by T. Bewick. The second edition. 8vo, light brown levant morocco gilt, gilt top, by The Club Bindery. Newcastle, 1791 *Thick paper copy. 483 pages instead of 456, as in the first edition, and no Addenda. 229. BEWICK (THOMAS). History of British Birds. The figures engraved on wood by Thomas Bewick. 2 vols. Svo, green levant morocco, gilt tops, uncut, by Bedford. Newcastle, 1797-1804 *Second issue of the first edition, printed upon thick paper. The misprint 13s" above the date is corrected to "15s," and Volume II is priced 18s. The last page of Volume I contains an advertisement of the fourth edition of "A General History of Quadrupeds," 1800, "In the Press, and speedily will be published," etc. 230. BEWICK (THOMAS). The Howdy and the Upgetting. Two tales of 60 years sin seyne, as related by the late Thomas Bewick, of Newcastle, in the Tyneside dialect. Portrait and vignette. 16 pages, no wrappers, 8vo. * FIRST EDITION. Only 60 copies printed. London, 1850 231. BEYLE (HENRI). Le Rouge et le Noir par M. de Stendhal. Réimpression textuelle de l'édition originale. Illustrée de 80 eaux-fortes par H. Dubouchet. 3 vols. royal 8vo, maroon levant morocco, open ornaments on the backs and in the side-corners, gilt over rough edges. Paris, 1884 * Japan paper copy, with the illustrations in two states. 232. BEZA (THEODORUS). Poemata varia: Sylvæ, Epitaphia, Icones, Epigrammata, Emblemata, etc. 40 wood engravings of emblems. 4to, brown morocco, gilt edges, by The Club Bindery. [Geneva, Henricus Stephanus], 1597 * COMPLETE COPY, with the Abrahamus Sacrificans, and the Appendix, which were not printed until 1598, and often lacking. Rare engraved portrait of Beza inserted. 233. BIBLIA BELGICA. Den Bibel. Tgeheele Oude ende Nieuwe Testament met grooter naersticheyt naden Latijnschen text gecorrigeert. Black letter, double columns. Titles in red and black within historiated woodcut borders; and numerous interesting woodcuts. 2 parts in one volume, folio, brown levant morocco, panelled sides, gilt centre ornaments, gilt edges, by Bedford. (Several leaves wormed.) Antwerp: Willem Vorsterman, 1532 234. BIBLE. La Bible, qui est toute la saincte escriture: contenant le vieil et le nouveau testament, autrement, la Vieille et la Nouvelle Alliance. Woodcuts. Folio, contemporary calf, panelled sides, silver ornamental borders, with central panels of arabesques and interlacings, that on the front cover in gold, and that on the back cover in silver, gilt gauffred edges, dated 1566 (cracked). [Geneva]: Henri Estienne, 1566 *The Protestant French version made by P. R. Olivetan aided by Calvin. From the Firmin-Didot library. |