A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
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Pagina vi
... Andrew Cecil Bradley , 1909 . Thomas Y. Crowell Company : Aesthetic Analysis , by D. W. Prall , 1936 . Charles W. Morris and the editors of the Kenyon Review : “ Science , Art , and Tech- nology , " by Charles Morris , Kenyon Review ...
... Andrew Cecil Bradley , 1909 . Thomas Y. Crowell Company : Aesthetic Analysis , by D. W. Prall , 1936 . Charles W. Morris and the editors of the Kenyon Review : “ Science , Art , and Tech- nology , " by Charles Morris , Kenyon Review ...
Pagina 303
... Andrew Cecil Bradley ( 1851-1935 ) , a distinguished critic and professor of poetry at Oxford University . Although he primarily discusses form and content in poetry , his conception of form can be extended to all the arts . He agrees ...
... Andrew Cecil Bradley ( 1851-1935 ) , a distinguished critic and professor of poetry at Oxford University . Although he primarily discusses form and content in poetry , his conception of form can be extended to all the arts . He agrees ...
Pagina 309
... ANDREW CECIL BRADLEY Poetry for Poetry's Sake The words " Poetry for poetry's sake " recall the famous phrase " Art for Art . " It is far from my ... ANDREW CECIL BRADLEY 309 · From The Hogarth Essays BRADLEY: Poetry for Poetry's Sake.
... ANDREW CECIL BRADLEY Poetry for Poetry's Sake The words " Poetry for poetry's sake " recall the famous phrase " Art for Art . " It is far from my ... ANDREW CECIL BRADLEY 309 · From The Hogarth Essays BRADLEY: Poetry for Poetry's Sake.
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling fighting games function give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce program music psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words