A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
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Pagina 79
... Croce , “ are distinct and not separate , and when the spirit is found in one of its forms , or is explicit in it ... Benedetto Croce , The Philosophy of the Practical ( Macmillan , London , 1913 ) pp . 3 Ibid . , p . 268 . Joyce Cary ...
... Croce , “ are distinct and not separate , and when the spirit is found in one of its forms , or is explicit in it ... Benedetto Croce , The Philosophy of the Practical ( Macmillan , London , 1913 ) pp . 3 Ibid . , p . 268 . Joyce Cary ...
Pagina 513
... Croce that communication is essential to art ) . Bergson , Henri , The Creative Mind , New York , 1946 ... Benedetto Croce : The Problem of Art and History , London , 1917 . Carritt , E. F. , " Croce and His Aesthetic , " Mind , Vol . 62 ...
... Croce that communication is essential to art ) . Bergson , Henri , The Creative Mind , New York , 1946 ... Benedetto Croce : The Problem of Art and History , London , 1917 . Carritt , E. F. , " Croce and His Aesthetic , " Mind , Vol . 62 ...
Pagina 514
... Croce , Benedetto , Aesthetic as Science of Expression and General Linguistic , Second Edition , London , 1922 . " Aesthetics " in the Fourteenth Edition of the Encyclopaedia Brittanica . ——— Ariosto , Shakespeare and Corneille , New ...
... Croce , Benedetto , Aesthetic as Science of Expression and General Linguistic , Second Edition , London , 1922 . " Aesthetics " in the Fourteenth Edition of the Encyclopaedia Brittanica . ——— Ariosto , Shakespeare and Corneille , New ...
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words