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Pagina 237
... was the period when such “ formalists ” as Clive Bell and Roger Fry exercised
their greatest influence . They challenged the esthetic relevance of sentimental
associations and directed attention to the great importance of plastic organization
.
... was the period when such “ formalists ” as Clive Bell and Roger Fry exercised
their greatest influence . They challenged the esthetic relevance of sentimental
associations and directed attention to the great importance of plastic organization
.
Pagina 302
group of intimate friends , including the philosopher G . E . Moore , the economist
John Maynard Keynes , the novelist Virginia Woolf , and the art critic Clive Bell . A
close study will reveal the indebtedness of both Fry and Bell to the ideas of ...
group of intimate friends , including the philosopher G . E . Moore , the economist
John Maynard Keynes , the novelist Virginia Woolf , and the art critic Clive Bell . A
close study will reveal the indebtedness of both Fry and Bell to the ideas of ...
Pagina 526
Bell ) . Eliot , T . S . , “ The Music of Poetry , ” On Barnes , Albert C . , “ Plastic Form
, " The Poetry and Poets , New York , 1957 . Art in Painting , New York , 1928 . ...
Bell , Clive , Art , New York , 1914 . - - - Vision and Design , London , 1920 .
Bell ) . Eliot , T . S . , “ The Music of Poetry , ” On Barnes , Albert C . , “ Plastic Form
, " The Poetry and Poets , New York , 1957 . Art in Painting , New York , 1928 . ...
Bell , Clive , Art , New York , 1914 . - - - Vision and Design , London , 1920 .
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Sommario
ART AS SEMBLANCE | 3 |
ART AS EMOTIONAL EXPRESSION | 51 |
ART AS INTUITION | 77 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection conscious consists contemplation course criticism definition desire direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follows function give hand human ideas illusion imagination imitation important individual interest intuition judgment kind knowledge language less living look material matter meaning merely mind moral movement nature never object observation organic painting particular perception person philosophers physical picture play pleasure poem poet poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape sound speak spiritual style symbols theory things thought tion tragedy true truth unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |