Dall'interno del libro
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Pagina 393
Distance , being a matter of degree , varies according to two different sets of
conditions : the characteristics of the object , and the ... As the object becomes
more stylized , unrealistic , and isolated , the distance correspondingly increases
.
Distance , being a matter of degree , varies according to two different sets of
conditions : the characteristics of the object , and the ... As the object becomes
more stylized , unrealistic , and isolated , the distance correspondingly increases
.
Pagina 394
EDWARD BULLOUGH " Psychical Distance " and a Factor in Art and an Esthetic
Principle I . 1 . Meaning of the term “ Distance . ” 2 . Distance as a factor in Art . 3 .
Distance as an esthetic principle . II . I . Distance describes a personal relation .
EDWARD BULLOUGH " Psychical Distance " and a Factor in Art and an Esthetic
Principle I . 1 . Meaning of the term “ Distance . ” 2 . Distance as a factor in Art . 3 .
Distance as an esthetic principle . II . I . Distance describes a personal relation .
Pagina 400
designed for a class of appreciation which has difficulty to rise spontaneously to
any degree of Distance . The consequence of a loss of Distance through one or
other cause is familiar : the verdict in the case of under - distancing is that the
work ...
designed for a class of appreciation which has difficulty to rise spontaneously to
any degree of Distance . The consequence of a loss of Distance through one or
other cause is familiar : the verdict in the case of under - distancing is that the
work ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS EMOTIONAL EXPRESSION | 51 |
ART AS INTUITION | 77 |
Copyright | |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection conscious consists contemplation course criticism definition desire direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follows function give hand human ideas illusion imagination imitation important individual interest intuition judgment kind knowledge language less living look material matter meaning merely mind moral movement nature never object observation organic painting particular perception person philosophers physical picture play pleasure poem poet poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape sound speak spiritual style symbols theory things thought tion tragedy true truth unity universal whole