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Pagina 393
Second , there is a positive side- " the elaboration of the experience on the new basis created by the inhibitory action of distance . " This positive aspect consists in the objectification of one's mental states .
Second , there is a positive side- " the elaboration of the experience on the new basis created by the inhibitory action of distance . " This positive aspect consists in the objectification of one's mental states .
Pagina 394
EDWARD BULLOUGH " Psychical Distance " and a Factor in Art and an Esthetic Principle I. 1. Meaning of the term " Distance . " 2. Distance as a factor in Art . 3. Distance as an esthetic principle . II . 1. Distance describes a personal ...
EDWARD BULLOUGH " Psychical Distance " and a Factor in Art and an Esthetic Principle I. 1. Meaning of the term " Distance . " 2. Distance as a factor in Art . 3. Distance as an esthetic principle . II . 1. Distance describes a personal ...
Pagina 400
designed for a class of appreciation which has difficulty to rise spontaneously to any degree of Distance . The consequence of a loss of Distance through one or other cause is familiar : the verdict in the case of under - distancing is ...
designed for a class of appreciation which has difficulty to rise spontaneously to any degree of Distance . The consequence of a loss of Distance through one or other cause is familiar : the verdict in the case of under - distancing is ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |