A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 15
Pagina 489
... Poetry . Poetry now diverged in two directions , according to the individual ... Epic poets were succeeded by Tragedians , since the drama was a larger and ... epic poetry and tragedy . ] Comedy is , as we have said , an ...
... Poetry . Poetry now diverged in two directions , according to the individual ... Epic poets were succeeded by Tragedians , since the drama was a larger and ... epic poetry and tragedy . ] Comedy is , as we have said , an ...
Pagina 501
... poems on a smaller scale than the old epics , and answering in length to the group of tragedies presented at a single sitting . Epic poetry has , however , a great - a special - capacity for enlarging its dimensions , and we can see the ...
... poems on a smaller scale than the old epics , and answering in length to the group of tragedies presented at a single sitting . Epic poetry has , however , a great - a special - capacity for enlarging its dimensions , and we can see the ...
Pagina 504
... Epic poetry is addressed to a cultivated audience , who do not need gesture ; Tragedy , to an inferior public . Being then unrefined , it is evidently the lower of the two . Now , in the first place , this censure attaches not to the poetic ...
... Epic poetry is addressed to a cultivated audience , who do not need gesture ; Tragedy , to an inferior public . Being then unrefined , it is evidently the lower of the two . Now , in the first place , this censure attaches not to the poetic ...
Sommario
ART AS SEMBLANCE3 | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words