A modern book of esthetics: an anthology |
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Pagina 489
Poetry now diverged in two directions, according to the individual character of the
writers. The graver spirits imitated ... does not imply pain. . . . Epic poetry agrees
with Tragedy insofar as it is an imitation in verse of characters of a higher type.
Poetry now diverged in two directions, according to the individual character of the
writers. The graver spirits imitated ... does not imply pain. . . . Epic poetry agrees
with Tragedy insofar as it is an imitation in verse of characters of a higher type.
Pagina 501
This condition will be satisfied by poems on a smaller scale than the old epics,
and answering in length to the group of tragedies presented at a single sitting.
Epic poetry has, however, a great— a special— capacity for enlarging its
dimensions ...
This condition will be satisfied by poems on a smaller scale than the old epics,
and answering in length to the group of tragedies presented at a single sitting.
Epic poetry has, however, a great— a special— capacity for enlarging its
dimensions ...
Pagina 504
So we are told that Epic poetry is addressed to a cultivated audience, who do not
need gesture; Tragedy, to an inferior public. Being then unref1ned, it is evidently
the lower of the two. Now, in the first place, this censure attaches not to the ...
So we are told that Epic poetry is addressed to a cultivated audience, who do not
need gesture; Tragedy, to an inferior public. Being then unref1ned, it is evidently
the lower of the two. Now, in the first place, this censure attaches not to the ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept conscious contemplation creative criticism Croce definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling fighting games function George Santayana give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. Sullivan judgment kind knowledge language living material meaning merely mind moral Morris Weitz movement nature object organic organicism painter painting perceived perception person phantasy philosophers physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape soul spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words