A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 13
Pagina 324
... Hugo Münsterberg 1 and the " repose in the object " of Ethel Puffer 2 are descriptions of the fact to which I am calling attention . This does not mean , of course , that the work of art is not related to other things or that it is ...
... Hugo Münsterberg 1 and the " repose in the object " of Ethel Puffer 2 are descriptions of the fact to which I am calling attention . This does not mean , of course , that the work of art is not related to other things or that it is ...
Pagina 433
... Hugo Münsterberg ( 1863-1916 ) has developed a theory somewhat like that of Bullough and Ortega y Gasset . He similarly recognizes the detachment of the esthetic attitude from practical considerations , but his main emphasis is upon the ...
... Hugo Münsterberg ( 1863-1916 ) has developed a theory somewhat like that of Bullough and Ortega y Gasset . He similarly recognizes the detachment of the esthetic attitude from practical considerations , but his main emphasis is upon the ...
Pagina 434
... Münsterberg that esthetic experience is , in a sense , isolated and self - sufficient . This state of repose , they believe , is achieved not by the simplification and exclusion ... HUGO MUNSTERBERG : Connection in Science and Isolation in.
... Münsterberg that esthetic experience is , in a sense , isolated and self - sufficient . This state of repose , they believe , is achieved not by the simplification and exclusion ... HUGO MUNSTERBERG : Connection in Science and Isolation in.
Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words