A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
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Pagina vi
... Theodore Meyer Greene , 1940 . Harvard University Press : The Basis of Criticism in the Arts , by Stephen Coburn Pepper , copyright 1945 by the President and Fellows of Harvard College . The editors of The Journal of Philosophy ...
... Theodore Meyer Greene , 1940 . Harvard University Press : The Basis of Criticism in the Arts , by Stephen Coburn Pepper , copyright 1945 by the President and Fellows of Harvard College . The editors of The Journal of Philosophy ...
Pagina xiv
... THEODORE MEYER GREENE : The Nature and Criteria of Criticism . From The Arts and the Art of Criticism STEPHEN C. PEPPER : Organistic Criticism . From The Basis of Criticism in the Arts LOUIS ARNAUD REID : Greatness . From A Study in ...
... THEODORE MEYER GREENE : The Nature and Criteria of Criticism . From The Arts and the Art of Criticism STEPHEN C. PEPPER : Organistic Criticism . From The Basis of Criticism in the Arts LOUIS ARNAUD REID : Greatness . From A Study in ...
Pagina 460
An Anthology Melvin Miller Rader. THEODORE MEYER GREENE The Nature and Criteria of Criticism I. The Three Aspects of Criticism 1 A work of art is a unique , individual whole - a ... THEODORE MEYER GREENE: The Nature and Criteria of Criticism.
An Anthology Melvin Miller Rader. THEODORE MEYER GREENE The Nature and Criteria of Criticism I. The Three Aspects of Criticism 1 A work of art is a unique , individual whole - a ... THEODORE MEYER GREENE: The Nature and Criteria of Criticism.
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling fighting games function give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce program music psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words