A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
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Pagina 367
... WILHELM WORRINGER Abstraction and Empathy Introductory Note MOST OF THE THEORIES PRESENTED in earlier chapters have thrown light on the nature of esthetic appreciation . The characterization of esthetic experience by Lange , Santayana ...
... WILHELM WORRINGER Abstraction and Empathy Introductory Note MOST OF THE THEORIES PRESENTED in earlier chapters have thrown light on the nature of esthetic appreciation . The characterization of esthetic experience by Lange , Santayana ...
Pagina 370
... Worringer finds the two esthetic processes alike in being modes of " self - privation " -escapes from the ... Wilhelm Worringer , Form in Gothic ( G. P. Putnam's Sons , London , 1927 ) , p . 37 . we all know that , objects the ...
... Worringer finds the two esthetic processes alike in being modes of " self - privation " -escapes from the ... Wilhelm Worringer , Form in Gothic ( G. P. Putnam's Sons , London , 1927 ) , p . 37 . we all know that , objects the ...
Pagina 391
... he is the pure , will - less , painless , timeless subject of perception . " ( Cf. the third book of The World as Will and Idea . ) Distance and Dehumanization EDWARD BULLOUGH " Psychical Distance " as WILHELM WORRINGER 391.
... he is the pure , will - less , painless , timeless subject of perception . " ( Cf. the third book of The World as Will and Idea . ) Distance and Dehumanization EDWARD BULLOUGH " Psychical Distance " as WILHELM WORRINGER 391.
Sommario
ART AS SEMBLANCE3 | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words