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Pagina xxviii
Noting that a work of art is highly individual and that artists shun mere abstract
thought , Benedetto Croce defined art as the knowing of particulars , or intuition ,
as distinguished from the knowing of universals , or conception . A particular , he
...
Noting that a work of art is highly individual and that artists shun mere abstract
thought , Benedetto Croce defined art as the knowing of particulars , or intuition ,
as distinguished from the knowing of universals , or conception . A particular , he
...
Pagina 250
The abstract sense , which is sometimes called “ logical form , ” is involved in the
notion of expression , at least the kind of ... That is why artists , when they speak
of achieving " form , ” use the word with something of an abstract connotation ...
The abstract sense , which is sometimes called “ logical form , ” is involved in the
notion of expression , at least the kind of ... That is why artists , when they speak
of achieving " form , ” use the word with something of an abstract connotation ...
Pagina 252
The logical form itself is not another thing , but an abstract concept , or better an
abstractable concept . We usually don ' t abstract it deliberately , but only use it ,
as we use our vocal cords in speech without first learning all about their
operation ...
The logical form itself is not another thing , but an abstract concept , or better an
abstractable concept . We usually don ' t abstract it deliberately , but only use it ,
as we use our vocal cords in speech without first learning all about their
operation ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS EMOTIONAL EXPRESSION | 51 |
ART AS INTUITION | 77 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection conscious consists contemplation course criticism definition desire direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follows function give hand human ideas illusion imagination imitation important individual interest intuition judgment kind knowledge language less living look material matter meaning merely mind moral movement nature never object observation organic painting particular perception person philosophers physical picture play pleasure poem poet poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape sound speak spiritual style symbols theory things thought tion tragedy true truth unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |