A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 48
Pagina xxviii
... abstract thought , Benedetto Croce defined art as the knowing of particulars , or intuition , as distinguished from the knowing of universals , or conception . A par- ticular , he supposed , was a unique quality apprehended by an ...
... abstract thought , Benedetto Croce defined art as the knowing of particulars , or intuition , as distinguished from the knowing of universals , or conception . A par- ticular , he supposed , was a unique quality apprehended by an ...
Pagina 250
... abstract ; " form " in its most abstract sense means structure , articula- tion , a whole resulting from the relation of mutually dependent factors , or more precisely , the way that whole is put together . The abstract sense , which is ...
... abstract ; " form " in its most abstract sense means structure , articula- tion , a whole resulting from the relation of mutually dependent factors , or more precisely , the way that whole is put together . The abstract sense , which is ...
Pagina 252
... abstract concept , or better an abstractable concept . We usually don't abstract it deliberately , but only use it , as we use our vocal cords in speech without first learning all about their operation and then applying our knowledge ...
... abstract concept , or better an abstractable concept . We usually don't abstract it deliberately , but only use it , as we use our vocal cords in speech without first learning all about their operation and then applying our knowledge ...
Sommario
ART AS SEMBLANCE3 | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression external fact feeling function give Hugo Münsterberg human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure reality relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words