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Pagina xxviii
Noting that a work of art is highly individual and that artists shun mere abstract thought , Benedetto Croce defined art as the knowing of particulars , or intuition , as distinguished from the knowing of universals , or conception .
Noting that a work of art is highly individual and that artists shun mere abstract thought , Benedetto Croce defined art as the knowing of particulars , or intuition , as distinguished from the knowing of universals , or conception .
Pagina 250
meaning , namely just the shape of a thing , and on the other hand to the quite unpopular meaning it has in science and philosophy , where it designates something more abstract ; " form " in its most abstract sense means structure ...
meaning , namely just the shape of a thing , and on the other hand to the quite unpopular meaning it has in science and philosophy , where it designates something more abstract ; " form " in its most abstract sense means structure ...
Pagina 252
The logical form itself is not another thing , but an abstract concept , or better an abstractable concept . We usually don't abstract it deliberately , but only use it , as we use our vocal cords in speech without first learning all ...
The logical form itself is not another thing , but an abstract concept , or better an abstractable concept . We usually don't abstract it deliberately , but only use it , as we use our vocal cords in speech without first learning all ...
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |