Dall'interno del libro
Risultati 1-3 di 77
Pagina 317
To consider separately the action or the characters of a play , and separately its
style or versification , is both legitimate and valuable , so long as we remember
what we are doing . But the true critic in speaking of these apart does not really ...
To consider separately the action or the characters of a play , and separately its
style or versification , is both legitimate and valuable , so long as we remember
what we are doing . But the true critic in speaking of these apart does not really ...
Pagina 490
Plot , or the representation of the action , is of primary importance ; character and
thought come next in order . ] Tragedy , then , is an imitation of an action that is
serious , complete , and of a certain magnitude ; in language embellished with ...
Plot , or the representation of the action , is of primary importance ; character and
thought come next in order . ] Tragedy , then , is an imitation of an action that is
serious , complete , and of a certain magnitude ; in language embellished with ...
Pagina 493
Unity of plot consists not in unity of hero , but in unity of action . ... infinitely various
are the incidents in one man ' s life which cannot be reduced to unity ; and so ,
too , there are many actions of one man out of which we cannot make one action .
Unity of plot consists not in unity of hero , but in unity of action . ... infinitely various
are the incidents in one man ' s life which cannot be reduced to unity ; and so ,
too , there are many actions of one man out of which we cannot make one action .
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Sommario
ART AS SEMBLANCE | 3 |
ART AS EMOTIONAL EXPRESSION | 51 |
ART AS INTUITION | 77 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection conscious consists contemplation course criticism definition desire direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follows function give hand human ideas illusion imagination imitation important individual interest intuition judgment kind knowledge language less living look material matter meaning merely mind moral movement nature never object observation organic painting particular perception person philosophers physical picture play pleasure poem poet poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape sound speak spiritual style symbols theory things thought tion tragedy true truth unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |