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Pagina 75
If these Mænads be compared with the figures on the great vases in the British Museum and with the various Agave reliefs , it will still more conclusively appear that it is real distress which compels the dancers to seek in ever ...
If these Mænads be compared with the figures on the great vases in the British Museum and with the various Agave reliefs , it will still more conclusively appear that it is real distress which compels the dancers to seek in ever ...
Pagina 102
But be it pictorial , or verbal , or musical , or in whatever other form it appear , to no intuition can expression in one of its forms be ... The one appears with the other at the same instant , because they are not two , but one .
But be it pictorial , or verbal , or musical , or in whatever other form it appear , to no intuition can expression in one of its forms be ... The one appears with the other at the same instant , because they are not two , but one .
Pagina 325
When there is color as well as shape , there is some dominant color that appears again and again or in related degrees of saturation , or else there is a color chord that is similarly repeated or is analyzed .
When there is color as well as shape , there is some dominant color that appears again and again or in related degrees of saturation , or else there is a color chord that is similarly repeated or is analyzed .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection consciousness consists contemplation course criticism definition direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follow function give hand human ideas imagination imitation important individual interest intuition kind knowledge language less lines living look material matter meaning merely mind moral movement nature never object observation organic original painting particular perception person philosophical physical picture play pleasure poem poet poetic poetry possible practical present principle produce pure question reality reason relation result seems sense shape similar sound spiritual style symbols theory things thought tion tragedy true truth unity universal whole writers
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3, ristampa |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |