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Pagina 75
If these Mænads be compared with the figures on the great vases in the British Museum and with the various Agave reliefs , it will still more conclusively appear that it is real distress which compels the dancers to seek in ever ...
If these Mænads be compared with the figures on the great vases in the British Museum and with the various Agave reliefs , it will still more conclusively appear that it is real distress which compels the dancers to seek in ever ...
Pagina 102
But be it pictorial , or verbal , or musical , or in whatever other form it appear , to no intuition can expression in one of its forms be ... The one appears with the other at the same instant , because they are not two , but one .
But be it pictorial , or verbal , or musical , or in whatever other form it appear , to no intuition can expression in one of its forms be ... The one appears with the other at the same instant , because they are not two , but one .
Pagina 325
When there is color as well as shape , there is some dominant color that appears again and again or in related degrees of saturation , or else there is a color chord that is similarly repeated or is analyzed .
When there is color as well as shape , there is some dominant color that appears again and again or in related degrees of saturation , or else there is a color chord that is similarly repeated or is analyzed .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
Copyright | |
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Parole e frasi comuni
abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Collaboratore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |