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Pagina 75
An approach to this attitude sometimes appears , as Spencer remarks in his
essay on the Physiology of Laughter , in movements of great joy , which has not
been able to find expression by the usual channels of discharge . But there is no
...
An approach to this attitude sometimes appears , as Spencer remarks in his
essay on the Physiology of Laughter , in movements of great joy , which has not
been able to find expression by the usual channels of discharge . But there is no
...
Pagina 102
But be it pictorial , or verbal , or musical , or in whatever other form it appear , to
no intuition can expression in one of its forms be wanting ; it is , in fact ... The one
appears with the other at the same instant , because they are not two , but one .
But be it pictorial , or verbal , or musical , or in whatever other form it appear , to
no intuition can expression in one of its forms be wanting ; it is , in fact ... The one
appears with the other at the same instant , because they are not two , but one .
Pagina 325
When there is color as well as shape , there is some dominant color that appears
again and again or in related degrees of saturation , or else there is a color chord
that is similarly repeated or is analyzed . In architecture , each style has its ...
When there is color as well as shape , there is some dominant color that appears
again and again or in related degrees of saturation , or else there is a color chord
that is similarly repeated or is analyzed . In architecture , each style has its ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS EMOTIONAL EXPRESSION | 51 |
ART AS INTUITION | 77 |
Copyright | |
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Parole e frasi comuni
abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection conscious consists contemplation course criticism definition desire direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follows function give hand human ideas illusion imagination imitation important individual interest intuition judgment kind knowledge language less living look material matter meaning merely mind moral movement nature never object observation organic painting particular perception person philosophers physical picture play pleasure poem poet poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape sound speak spiritual style symbols theory things thought tion tragedy true truth unity universal whole
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | Holt, Rinehart, and Winston, 1960 |
| Provenienza dell'originale | la University of California |
| Digitalizzato | 29 ott 2008 |
| Lunghezza | 540 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |