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Pagina xxx
Appreciation and Criticism If we turn from the work of art to the audience , we can distinguish between a contemplative and a critical aspect in the audience's reaction . Esthetic contemplation , which is described in the present volume ...
Appreciation and Criticism If we turn from the work of art to the audience , we can distinguish between a contemplative and a critical aspect in the audience's reaction . Esthetic contemplation , which is described in the present volume ...
Pagina xxxi
14 Art is thus fundamental to the whole enterprise of living as a means of expression , creation , and appreciation . Art is art , and not morality , religion , technology , or social reform ; but neither is it an anodyne or a piddling ...
14 Art is thus fundamental to the whole enterprise of living as a means of expression , creation , and appreciation . Art is art , and not morality , religion , technology , or social reform ; but neither is it an anodyne or a piddling ...
Pagina 531
Sight and Insight , New York , Pepper , Stephen C. , Principles of Art Appreciation , New York , 1949 , Part I. Schoen , Max , " Aesthetic Experience in the Light of Current Psychology , " Journal of Aesthetics , Vol . 1 ( 1941 ) , PP .
Sight and Insight , New York , Pepper , Stephen C. , Principles of Art Appreciation , New York , 1949 , Part I. Schoen , Max , " Aesthetic Experience in the Light of Current Psychology , " Journal of Aesthetics , Vol . 1 ( 1941 ) , PP .
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Sommario
ONE ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling function give Hugo Münsterberg human I. A. RICHARDS ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole WILHELM WORRINGER words