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Pagina 151
There may be some validity in the idea held by the Freudian school that artists
without exception are narcissistic - by which is ... The statement is only valid ,
however , for the artist as a person , and has nothing to do with the man as an
artist .
There may be some validity in the idea held by the Freudian school that artists
without exception are narcissistic - by which is ... The statement is only valid ,
however , for the artist as a person , and has nothing to do with the man as an
artist .
Pagina 334
To the mature artist , traditional type patterns can equally be an asset . Such
types as the ode and ... But when artists with these qualities do take over these
forms , they can usually make something very fine out of them . In literature there
have ...
To the mature artist , traditional type patterns can equally be an asset . Such
types as the ode and ... But when artists with these qualities do take over these
forms , they can usually make something very fine out of them . In literature there
have ...
Pagina 440
... which the works of art have on the imagination of the artists of a later
generation ; a cumulative influence thus certaintly exists and every artist stands
today under the influence of the esthetic productions of two thousand years : but
the artist of ...
... which the works of art have on the imagination of the artists of a later
generation ; a cumulative influence thus certaintly exists and every artist stands
today under the influence of the esthetic productions of two thousand years : but
the artist of ...
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Sommario
ART AS SEMBLANCE | 3 |
ART AS EMOTIONAL EXPRESSION | 51 |
ART AS INTUITION | 77 |
Copyright | |
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abstract action activity actual appears appreciation artist attitude beauty become belief body called character color common complete concept connection conscious consists contemplation course criticism definition desire direct Distance distinction distinguished effect elements emotional esthetic example existence experience expression external fact feeling follows function give hand human ideas illusion imagination imitation important individual interest intuition judgment kind knowledge language less living look material matter meaning merely mind moral movement nature never object observation organic painting particular perception person philosophers physical picture play pleasure poem poet poetry possible practical present principle produce pure question reality reason relation result scientific seems sense shape sound speak spiritual style symbols theory things thought tion tragedy true truth unity universal whole