A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 82
Pagina 55
... artistic value . Here we have simply a misunderstanding . If an artist were really able to reduce himself to the condition of a copying machine ; if he could so far efface and suppress himself as to confine his work to the servile ...
... artistic value . Here we have simply a misunderstanding . If an artist were really able to reduce himself to the condition of a copying machine ; if he could so far efface and suppress himself as to confine his work to the servile ...
Pagina 334
... artist less virile than Bach , or a slavish copyist who took traditional type patterns as rigid schemata and traditional examples as absolute models , would be un- likely to turn traditional forms to very significant account . But an artist ...
... artist less virile than Bach , or a slavish copyist who took traditional type patterns as rigid schemata and traditional examples as absolute models , would be un- likely to turn traditional forms to very significant account . But an artist ...
Pagina 440
... artist of today does not continue the work of the artist of yesterday ; every work is closed in itself and has no objective reference to any other work of art . But we must return to our central proposition . We said that science con ...
... artist of today does not continue the work of the artist of yesterday ; every work is closed in itself and has no objective reference to any other work of art . But we must return to our central proposition . We said that science con ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling fighting games function give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce program music psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words