A Modern Book of Esthetics: An AnthologyMelvin Miller Rader Holt, Rinehart, and Winston, 1960 - 540 pagine |
Dall'interno del libro
Risultati 1-3 di 60
Pagina 81
... aspect of the thing , intervenes between it and ourselves , and would conceal its form from our eyes , were that form not already masked beneath the necessities that brought the word into existence . Not only external objects , but even ...
... aspect of the thing , intervenes between it and ourselves , and would conceal its form from our eyes , were that form not already masked beneath the necessities that brought the word into existence . Not only external objects , but even ...
Pagina 317
... aspect of form ; and you may pursue inter- esting discussions on this basis , though no principle or ultimate ... aspects , is always in his mind ; and he is always aiming at a richer , truer , more intense repetition of that experience ...
... aspect of form ; and you may pursue inter- esting discussions on this basis , though no principle or ultimate ... aspects , is always in his mind ; and he is always aiming at a richer , truer , more intense repetition of that experience ...
Pagina 460
... Aspects of Criticism 1 A work of art is a unique , individual whole - a self - contained artistic “ or- ganism " with a ... aspect of the work of art itself - historical criticism , to the work's historical character and orientation ; re ...
... Aspects of Criticism 1 A work of art is a unique , individual whole - a self - contained artistic “ or- ganism " with a ... aspect of the work of art itself - historical criticism , to the work's historical character and orientation ; re ...
Sommario
ART AS SEMBLANCE | 3 |
ART AS BEAUTY | 23 |
ART AS EMOTIONAL EXPRESSION | 51 |
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abstract activity appreciation Aristotle artist attitude beauty become Beethoven Benedetto Croce Bernard Bosanquet called character color complete concept consciousness contemplation creative criticism definition discourse Distance distinction dream effect elements emotional empathy enjoyment Epic poetry esthetic esthetic education estheticians example existence experience expression fact feeling fighting games function give human I. A. Richards ideas illusion imagination imitation impulse individual instinct intellectual intuition intuitive knowledge J. W. N. SULLIVAN kind knowledge language living logical material meaning merely mind moral Morris Weitz movement nature novel nude object organic organicism painter painting pattern perceived perception person phantasy philosophical physical play pleasure poem poet poetic poetry principle produce program music psychological pure relation rhythm Roger Fry scientific sensation sense shape sound spiritual style symbols taste theory things thought tion tragedy true truth uncon unity whole words